Portal:Pan-Africanism

Garveyism is an aspect of black nationalism that refers to the economic, and political policies of UNIA-ACL founder Marcus Garvey. The ideology of Garveyism centers on the unification and empowerment of African-American men, women and children under the banner of their collective African descent, and the repatriation of African slave descendants and profits to the African continent. Garvey was fought by the African-American establishment in the U.S. An investigation by the Justice Department, directed by J. Edgar Hoover, led to Garvey's arrest on charges of mail fraud in January 1922, and his projects collapsed.

Toussaint Louverture
Posthumous painting of Toussaint Louverture
President of Haiti
In office 7 July 1801 – 6 May 1802
Appointed by	Constitution of 1801
Preceded by	Inaugural holder
Succeeded by	Jean-Jacques Dessalines (Republic of Haiti)
Governor-General of Saint-Domingue
In office 1797–1801
Appointed by	Étienne Maynaud
Preceded by	Inaugural holder
Succeeded by	Position abolished
Personal details
Born	Toussaint Bréda 20 May 1743 Saint-Domingue (now Haiti)
Died	7 April 1803(1803-04-07) (aged 59) Fort-de-Joux, France
Nickname(s)	Napoléon Noir Black Spartacus
Military career
Allegiance	France  Haiti
Service/branch	French Army French Revolutionary Army Armée Indigène
Rank	General
Battles/wars	Haitian Revolution

François-Dominique Toussaint Louverture (French: [fʁɑ̃swa dɔminik tusɛ̃ luvɛʁtyʁ] 9 May 1743 – 7 April 1803), also known as Toussaint L'Ouverture or Toussaint Bréda, was the best-known leader of the Haitian Revolution. He was a leader of the growing resistance. His military and political acumen saved the gains of the first Black insurrection in November 1791. He first fought for the Spanish against the French; then for France against Spain and Great Britain; and finally, for Saint-Domingue against Napoleonic France. He then helped transform the insurgency into a revolutionary movement, which by 1800 had turned Saint-Domingue, the most prosperous slave colony of the time, into the first free colonial society to have explicitly rejected race as the basis of social ranking.

Though Louverture did not sever ties with France, his actions in 1800 constituted a de facto autonomous colony. The colony's constitution proclaimed him governor for life even against Napoleon Bonaparte's wishes. He died betrayed before the final and most violent stage of the armed conflict. However, his achievements set the grounds for the Black army's absolute victory and for Jean-Jacques Dessalines to declare the sovereign state of Haiti in January 1804. Louverture's prominent role in the Haitian success over colonialism and slavery had earned him the admiration of friends and detractors alike.

The Arab slave trade was the intersection of slavery and trade in the Arab world, mainly in Western Asia, North Africa, East Africa and Europe. This barter occurred chiefly between the medieval era and the early 20th century. The trade was conducted through slave markets in these areas, with the slaves captured mostly from Africa's interior and Southern Europe.

African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa.

Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed.

African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.

West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots.