Portal:Phoenicia

The Treaty of Lutatius was the agreement between Carthage and Rome of 241 BC (amended in 237 BC), that ended the First Punic War after 23 years of conflict. Most of the fighting during the war took place on, or in the waters around, the island of Sicily and in 241 BC a Carthaginian fleet was defeated by a Roman fleet commanded by Gaius Lutatius Catulus while attempting to lift the blockade of its last, beleaguered, strongholds there. Accepting defeat, the Carthaginian Senate ordered their army commander on Sicily, Hamilcar Barca, to negotiate a peace treaty with the Romans, on whatever terms he could negotiate. Hamilcar refused, claiming the surrender was unnecessary, and the negotiation of the peace terms was left to Gisco, the commander of Lilybaeum, as the next most senior Carthaginian on the island. A draft treaty was rapidly agreed upon, but when it was referred to Rome for ratification it was rejected.

Rome then sent a ten-man commission to settle the matter. This in turn agreed that Carthage would hand over what it still held of Sicily; relinquish several groups of islands nearby; release all Roman prisoners without ransom, although ransom would need to be paid to secure the release of prisoners held by the Romans; and pay an indemnity of 3,200 talents of silver – 82,000 kilograms (81 long tons) – over 10 years. The treaty received its name from the victorious Gaius Lutatius Catulus, who also negotiated the initial draft. (Full article...)

Baal Marqod (in Greek alphabet: ΒΑΛ ΜΑΡΚΟΔ, in Latin alphabet: BALMARCOD, restored in Phoenician: 𐤁𐤏𐤋 𐤌𐤓𐤒𐤃, romanized: bʿl mrqd) was a Phoenician god of dancing. He is attested in Greek and Latin inscriptions from the Maronite monastery in Deir al-Qal'a (near Beit Mery), which was built on a sanctuary dedicated to Baal Marqod, built in the first century CE. Although 19th century scholar had made some different hypotheses of the nature of this god, he is commonly explained as "Baal of dancing" or "lord of dancing" (Baal is both a noun meaning "lord" and a divine name). The name is believed to correspond with his Greek title κοίρανος κωμων (κῶμοι implies games and dances). it is unknown whether he is called so because he was considered the creator of dancing or because dancing was merely the proper way to worship him.

The inscriptions often addressed him as "Iupiter Optimus Maximus Balmarcod" (not Jupiter Optimus Maximus Capitolinus). In one inscription he was called also Μηγριν, meaning threshing floor, as in Hebrew grn), and it may mean that Baal Marqod was also the protector of the crops. (Full article...)

Gisco was a Carthaginian general who served during the closing years of the First Punic War (264–239 BC) and took a leading part in the events which sparked the Mercenary War. He was a citizen of the city state of Carthage, which was located in what is now Tunisia. His date of birth and age at death are both unknown, as are his activities prior to his rise to prominence towards the end of the First Punic War.

When the Carthaginians conceded defeat in the war in 241 BC, Gisco was commander of the major base of Lilybaeum (modern Marsala) on Sicily, subordinate to Hamilcar Barca, the overall Carthaginian commander on the island. On being ordered to negotiate a peace treaty, Hamilcar retired to Carthage in a rage, leaving Gisco, as the next most senior commander, in charge of negotiations with the Romans. These resulted in the Treaty of Lutatius, which ended the war. By this time the troops whom he had sent from Sicily to Africa to be repatriated were in a mutinous state over a pay dispute, and Gisco, who had a good reputation with them, was hastily recalled to deal with the situation. The discontent seemed to have abated when, for some unknown reason, discipline broke down. Several soldiers insisted that no deal with Carthage was acceptable, a riot broke out and dissenters were stoned to death. Gisco and his staff were taken prisoner and his treasury was seized. (Full article...)

The sarcophagus of Eshmunazar II is a 6th-century BC sarcophagus unearthed in 1855 in the grounds of an ancient necropolis southeast of the city of Sidon, in modern-day Lebanon, that contained the body of Eshmunazar II (Phoenician: 𐤀𐤔𐤌𐤍𐤏𐤆𐤓 ʾšmnʿzr, r. c. 539 – c. 525 BC), Phoenician King of Sidon. One of only three Ancient Egyptian sarcophagi found outside Egypt, with the other two belonging to Eshmunazar's father King Tabnit and to a woman, possibly Eshmunazar's mother Queen Amoashtart, it was likely carved in Egypt from local amphibolite, and captured as booty by the Sidonians during their participation in Cambyses II's conquest of Egypt in 525 BC. The sarcophagus has two sets of Phoenician inscriptions, one on its lid and a partial copy of it on the sarcophagus trough, around the curvature of the head. The lid inscription was of great significance upon its discovery as it was the first Phoenician language inscription to be discovered in Phoenicia proper and the most detailed Phoenician text ever found anywhere up to that point, and is today the second longest extant Phoenician inscription, after the Karatepe bilingual.

The sarcophagus was discovered by Alphonse Durighello, a diplomatic agent in Sidon engaged by Aimé Péretié, the chancellor of the French consulate in Beirut. The sarcophagus was sold to Honoré de Luynes, a wealthy French nobleman and scholar, and was subsequently removed to the Louvre after the resolution of a legal dispute over its ownership.

More than a dozen scholars across Europe and the United States rushed to translate the sarcophagus inscriptions after its discovery, many noting the similarities between the Phoenician language and Hebrew. The translation allowed scholars to identify the king buried inside, his lineage, and his construction feats. The inscriptions warn against disturbing Eshmunazar II's place of repose; it also recounts that the "Lord of Kings", the Achaemenid king, granted Eshmunazar II the territories of Dor, Joppa, and Dagon in recognition for his services.

The discovery led to great enthusiasm for archaeological research in the region and was the primary reason for Renan's 1860–1861 Mission de Phénicie, the first major archaeological mission to Lebanon and Syria. Today, it remains one of the highlights of the Louvre's Phoenician collection. (Full article...)

• ... that coins issued by Baalshillem II, the Phoenician king of Sidon, were the first Sidonian coins to bear minting dates corresponding to the king's year of reign?
• ... that alongside a 7th-century BC Phoenician shipwreck, two additional wrecks from various historical periods were unearthed in Bajo de la Campana, situated off the coast of Cartagena, Spain?
• ... that the discovery of Phoenician metal bowls in 1849 created the entire concept of Phoenician art?
• ... that the sarcophagus of Eshmunazar II, the Phoenician king of Sidon, is one of only three ancient Egyptian sarcophagi unearthed outside Egypt?
• ... that the deity of the Phoenician sanctuary of Kharayeb remains unidentified due to the absence of names of specific gods in unearthed inscriptions?
• ... that according to second-century AD Greek rhetorician Athenaeus, the Phoenicians played a flute-like instrument called the gingras in their mourning rituals?