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The Mahabharata or Mahābhārata (Sanskrit: महाभारतम्, Mahābhāratam, pronounced [məɦaːˈbʱaːrət̪əm]) is one of the two major Sanskrit epics of ancient India, the other being the Ramayana.

Besides its epic narrative of the Kurukshetra War and the fates of the Kaurava and the Pandava princes, the Mahabharata contains philosophical and devotional material, such as a discussion of the four "goals of life" or purusharthas (12.161). Among the principal works and stories in the Mahabharata are the Bhagavad Gita, the story of Damayanti, an abbreviated version of the Ramayana, and the Rishyasringa, often considered as works in their own right.

Traditionally, the authorship of the Mahabharata is attributed to Vyasa. There have been many attempts to unravel its historical growth and compositional layers. The oldest preserved parts of the text are thought to be not much older than around 400 BCE, though the origins of the epic probably fall between the 8th and 9th centuries BCE. The text probably reached its final form by the early Gupta period (c. 4th century CE). The title may be translated as "the great tale of the Bhārata dynasty". According to the Mahabharata itself, the tale is extended from a shorter version of 24,000 verses called simply Bhārata.

The Mahabharata is the longest known epic poem and has been described as "the longest poem ever written". Its longest version consists of over 100,000 shloka or over 200,000 individual verse lines (each shloka is a couplet), and long prose passages. About 1.8 million words in total, the Mahabharata is roughly ten times the length of the Iliad and the Odyssey combined, or about four times the length of the Ramayana. W. J. Johnson has compared the importance of the Mahabharata to world civilization to that of the Bible, the works of Shakespeare, the works of Homer, Greek drama, or the Qur'an. (Full article...)

Anna Andreyevna Gorenko Russian: Анна Андреевна Горенко, IPA: [ˈanə ɐnˈdrʲejɪvnə gɐˈrʲenkə] ^ⓘ; Ukrainian: Анна Андріївна Горенко</ref> (June 23 [O.S. June 11] 1889 – March 5, 1966), better known by the pen name Anna Akhmatova (Russian: Анна Ахматова, IPA: [ɐxˈmatəvə]), was a Russian modernist poet, one of the most acclaimed writers in the Russian canon.

Akhmatova's work ranges from short lyric poems to intricately structured cycles, such as Requiem (1935–40), her tragic masterpiece about the Stalinist terror. Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries. The strong and clear leading female voice struck a new chord in Russian poetry. Her writing can be said to fall into two periods – the early work (1912–25) and her later work (from around 1936 until her death), divided by a decade of reduced literary output. Her work was condemned and censored by Stalinist authorities and she is notable for choosing not to emigrate, and remaining in Russia, acting as witness to the atrocities around her. Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of Stalinism. (Full article...)

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Odyssey, book 1, first verses by Homer

Muse make the man thy theme, for shrewdness famed And genius versatile, who far and wide A Wand’rer, after Ilium overthrown, Discover’d various cities, and the mind And manners learn’d of men, in lands remote. He num’rous woes on Ocean toss’d, endured, Anxious to save himself, and to conduct His followers to their home; yet all his care Preserved them not; they perish’d self-destroy’d By their own fault; infatuate! who devoured The oxen of the all-o’erseeing Sun, And, punish’d for that crime, return’d no more. Daughter divine of Jove, these things record, As it may please thee, even in our ears.     The rest, all those who had perdition ’scaped By war or on the Deep, dwelt now at home; Him only, of his country and his wife Alike desirous, in her hollow grots Calypso, Goddess beautiful, detained Wooing him to her arms. But when, at length, (Many a long year elapsed) the year arrived Of his return (by the decree of heav’n) To Ithaca, not even then had he, Although surrounded by his people, reach’d The period of his suff’rings and his toils. Yet all the Gods, with pity moved, beheld His woes, save Neptune; He alone with wrath Unceasing and implacable pursued Godlike Ulysses to his native shores. But Neptune, now, the Æthiopians fought, (The Æthiopians, utmost of mankind, These Eastward situate, those toward the West) Call’d to an hecatomb of bulls and lambs. There sitting, pleas’d he banqueted; the Gods In Jove’s abode, meantime, assembled all, ’Midst whom the Sire of heav’n and earth began. For he recall’d to mind Ægisthus slain By Agamemnon’s celebrated son Orestes, and retracing in his thought That dread event, the Immortals thus address’d.

Full set of selected poems

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