Puerto Rico was settled by a succession of peoples beginning 2,000 to 4,000 years ago; these included the Ortoiroid, Saladoid, and Taíno. It was then colonized by Spain following the arrival of Christopher Columbus in 1493. Puerto Rico was contested by other European powers, but remained a Spanish possession for the next four centuries. An influx of African slaves and settlers primarily from the Canary Islands and Andalusia vastly changed the cultural and demographic landscape of the island. Within the Spanish Empire, Puerto Rico played a secondary but strategic role compared to wealthier colonies like Peru and New Spain. By the late 19th century, a distinct Puerto Rican identity began to emerge, centered around a fusion of indigenous, African, and European elements. In 1898, following the Spanish–American War, Puerto Rico was acquired by the United States.
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This is a list of the flags of Puerto Rico. These flags represent and symbolize Puerto Rico and the Puerto Rican people. The most commonly used flags of Puerto Rico are the current flag, which represents the people of the commonwealth of Puerto Rico; the Grito de Lares flag, which represents the Grito of Lares (Cry of Lares) revolt against Spanish rule in 1868; municipal flags, which represent the 78 municipalities of the archipelago; political flags, which represent the different political beliefs of the people; and sports flags, which identify Puerto Rico as the country represented by its athletics during competitions.
Each of the 78 municipalities of Puerto Rico has adopted flags which represent the municipality and its people, employing designs that oftentimes derive their symbolism from the municipality's coat of arms. Most of the political parties in Puerto Rico also have their own flags, which represent and symbolize the political ideals of its members. These political party flags are usually displayed in public during political rallies, meetings, or parades in a show of political strength and unity. Various sports associations in Puerto Rico have adopted flags which represent them and which are used during competitions and other sport events. (Full article...)
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"A Puro Dolor" is a song recorded by Puerto Rican band Son by Four. It was written by Omar Alfanno and released as the first single of the second studio album of the band in 2000. Two versions of the track were produced by Oscar Llord for the album; one as a salsa and the other as a ballad. The ballad version was arranged by Alejandro Jaén.
The song reached number-one on Billboard Top Latin Songs chart, and became the longest running chart topper of its history, spending 20 weeks at the top; this record was broken five years later by Colombian singer Shakira with "La Tortura" which spent 25 weeks at number-one. "A Puro Dolor" also reached the Billboard 100; this led to the recording of an English-language version of the track "Purest of Pain", which was also charted in the United States. (Full article...)
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Francisco "Pancho" Coimbre Atiles (29 January 1909 – 4 November 1989), more commonly known as Pancho Coimbre, was a Puerto Rican professional baseball player. He was born in the municipality of Coamo and moved to Ponce early in his life. It was in Ponce where he would begin to actively participate in sports, both in sprinting and baseball. Coimbre played thirteen seasons in the Puerto Rican Professional Baseball League (LBPPR), with the Leones de Ponce. During this period the team won five league championships. He finished his career with an average of .337, and had an average of 2.2 strikeouts per season, this included four consecutive seasons from 1939 to 1942, without any strikeouts. Coimbre also won two LBPPR batting titles and the league's Most Valuable Player Award in 1943.
Coimbre traveled to New York City, after completing his first professional season in Puerto Rico, where he joined the Porto Rico Stars baseball team of the Negro leagues.[A] He was contracted by the New York Cubans while playing with the Porto Rico Stars. He joined the NY Cubans and played several seasons for them. Coimbre's batting average remained over the .300 mark, including two seasons in which he batted over .400. While playing in the Negro leagues he was selected to play in the league's East–West All-Star games twice, where he played with several players who in the future would be elected to the Baseball Hall of Fame and Museum. He also played with teams established in Colombia, Venezuela, the Dominican Republic and Mexico. Following his retirement, Coimbre worked as a coach and manager of teams in both the professional and amateur leagues of Puerto Rico. Coimbre, who was eighty years old, died due to a fire at his home. (Full article...)
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"Mi Mayor Venganza" (transl. "My Greatest Revenge") is a song by Puerto Rican singer La India from her fifth studio album, Sobre el Fuego (1997). The song was written by Rodolfo Barreras and produced by Isidro Infante, and released as the album's second single in 1997 by RMM Records. It is a salsa song, in which La India tells the woman to keep the man who cheated on the artist out of revenge.
La India's vocals on "Mi Mayor Venganza" were praised by two music critics while another reviewer noted it has become an anthem with the salsa audience. It was a recipient of the American Society of Composers, Authors and Publishers (ASCAP) Latin Award in 2000 in the salsa category. Commercially, the song peaked at numbers four and one on the BillboardHot Latin Songs and Tropical Airplay charts in the United States, respectively. An accompanying music video features La India performing at an empty theater. (Full article...)
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Tropical Storm Dean south of Nova Scotia on August 27
Tropical Storm Dean was a strong tropical storm that affected at least twelve islands along its path from the tropical Atlantic Ocean to east of Atlantic Canada in August 2001. Dean developed from a tropical wave on August 22 over the Lesser Antilles, and was initially predicted to intensify further to reach hurricane status. However, strong wind shear quickly weakened Dean to cause it to dissipate on August 23. The remnants turned northward, and redeveloped on August 26 to the north of Bermuda. Located over warm waters and in an area of favorable conditions, Dean steadily strengthened while moving to the northeast, and peaked just below hurricane status on August 27 about 465 miles (748 km) southwest of Newfoundland. The storm subsequently weakened over cooler waters, and became extratropical on August 28.
The precursor tropical wave dropped heavy rainfall and produced moderate winds throughout the Lesser Antilles, though no serious damage was reported. In Puerto Rico, rainfall of up to 12.7 inches (320 mm) produced widespread flooding across the island. Thousands were left without power or water, and two houses lost their roofs from the storm. The passage of Dean resulted in $7.7 million (2001 USD, $9.4 million 2008 USD) in damage in Puerto Rico. The storm produced light to moderate rainfall in Bermuda and later in Newfoundland, though no damage was reported. (Full article...)
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Antonio Paoli (14 April 1871 – 24 August 1946) was a Puerto Ricantenor. At the height of his fame, he was known as "The King of Tenors and The Tenor of Kings." He is considered to be the first Puerto Rican to reach international fame in the musical arts. Paoli has been recognized as "one of the most outstanding opera singers of all time," and as one who had "one of the most lyric and powerful voices...superior even to his contemporary rival, Enrico Caruso."
After spending his childhood in his birth city of Ponce, Paoli moved to Spain where, with the assistance of his well-connected sister Amalia, he obtained a royal scholarship to take singing lessons in Italy. After singing to standing ovation crowds in both Spain and Italy, Paoli made his grand debut in Paris, France, where he was encouraged to perform on the highest levels of the world stage. Before the end of the 19th century and while Paoli was still in his twenties, he went on a tour of Europe that earned him both popular acclaim, and imperial honors from princes, kings, and emperors. (Full article...)
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"Te Conozco Bien" (English: "I Know You Well") is a song by American singer Marc Anthony from his second studio album, Todo a Su Tiempo (1995). The song was written by Omar Alfanno, with production being handled by Marc Anthony and Sergio George. It was released as the first promotional single from the album on May 30, 1995. A salsa song, it sees the singer express certainty that someone is regretful. The song was awarded the Billboard Latin Music Award in 1996 for "Hot Latin Track of the Year" in the Tropical/Salsa field and was nominated for the Tropical Song of the Year award at the 8th Annual Lo Nuestro Awards in the same year. It was a recipient of the ASCAP Latin Award in 1996. Commercially, the song peaked at number seven on the Hot Latin Songs chart and number one on the Tropical Airplay chart in the United States. It was the best-performing song of 1995 on the latter chart. The song was covered by Puerto Rican singer Ángel López as a ballad on his studio album Historias de Amor (2010). (Full article...)
In the early 1950s, the Nationalist Party began a series of revolutionary actions, including the 1950 Jayuya Uprising against American presence on the island. They conducted these attacks to protest the false and misleading claims by the United States government and Luis Muñoz Marín that Puerto Rico would no longer be dominated by the United States. As part of this initiative, Pedro Albizu Campos ordered Lebrón to organize attacks in the United States, focusing on locations that were "the most strategic to the enemy." Lebrón led a group of nationalists that attacked the United States House of Representatives in 1954. (Full article...)
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"Y Hubo Alguien" (English: "And There Was Someone") is a song by American singer Marc Anthony from his third studio album, Contra la Corriente (1997). The song was written by Omar Alfanno, with record production being handled by Ángel "Cucco" Peña. It was released as the first promotional single from the album in 1997. A salsa song which combines elements of R&B, it describes a man who has found love again after his former lover left him. The song was inspired by a fight Alfanno had with his partner and pitched the song to RMM, but was turned down. Anthony offered to record the track after Alfanno presented it to him.
Gilbert Cosme Ramírez (born May 25, 1976) is a Puerto Ricanprofessional wrestler, better known by his ring namesEl Mesías, Mil Muertes, Ricky Banderas and King Muertes. He began his career in the International Wrestling Association based in Puerto Rico. While performing in the company, he won the IWA World Heavyweight Championship on five instances and held minor championships on fifteen separate occasions, before leaving the company in 2006. On March 12, 2006, he debuted in Lucha Libre AAA Worldwide (AAA), a promotion based in Mexico, as a character named Muerte Cibernetica and was involved in an angle where this character was "killed". In November 2006, Cosme was involved in the tapings of the Wrestling Society X television series, where he was the second and last wrestler to win the WSX Championship.
Following a month of performing in the International Wrestling Association, Cosme returned to AAA in a special event presented by the company, this time under the ring name of El Mesías. In September 2007, the company organized a unification tournament where all of the champions and first contenders participated. Over the course of the tournament, he won the GPCW Super-X Monster Championship and IWC World Heavyweight Championship, and on the tournament's finale, he became the first wrestler to win the AAA Mega Championship. While working in Mexico, Cosme signed a contract with Total Nonstop Action Wrestling (TNA) where he debuted as Judas Mesias on September 13, 2007. In March 2008 his association with TNA came to an end and he focused most of his time on AAA. In 2010 Cosme debuted for Puerto Rican World Wrestling Council, where he won the Universal Heavyweight Championship. He also wrestled in Lucha Underground under the ring name Mil Muertes. (Full article...)
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Contra la Corriente (Against the Current) is the third studio album released by American singer Marc Anthony on October 21, 1997, by RMM Records. The album was produced by Puerto Rican musician Angel "Cucco" Peña, with most of the songs written by Panamanian composer Omar Alfanno. The album was well received by critics who praised the vocals of Anthony as well as the songs. The album produced six singles, four of which peaked on the top ten on the Hot Latin Tracks chart. Promoted by a sold-out concert in Madison Square Garden, Contra la Corriente became the first salsa album to reach number one on the Top Latin Albums chart and to chart on the Billboard 200.
Contra la Corriente received a Grammy Award and a Latin Billboard Award, and was named the eighth best album of 1997 by Time magazine. It has sold over 400,000 copies as of 2000. The album received a gold certification for shipping of 500,000 copies in the United States. This was the last album that Marc Anthony recorded under RMM Records before switching over to Columbia Records to record his first self-titled English album. (Full article...)
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"No Quiero Na' Regala'o" (I Don't Want a Gift) is a song by Puerto Rican salsa band El Gran Combo de Puerto Rico from their studio album De Punta a Punta (1971). Written by Perín Vasquez, it deals with the singer not wanting love merely out of pity.
The song was covered by Puerto Rican singer Gilberto Santa Rosa on his tenth studio album Esencia (1996). Production of Santa Rosa's version was co-handled by the artist and José Lugo. The cover version was positively reviewed by critics, who called it catchy and danceable. In the United States, "No Quiero Na' Regala'o" reached number 10 on the BillboardHot Latin Songs chart and topped the Tropical Airplay chart, spending three weeks in the position. (Full article...)
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"La Bomba" (transl. "the Bomb") is a song recorded by Puerto Rican singer Ricky Martin for his fourth studio album, Vuelve (1998). The song was written by Luis Gómez Escolar, K. C. Porter, and Draco Rosa, while the production was handled by the latter two. It was released by Columbia Records as the third single from the album on June 16, 1998. A Spanish-language salsa, dance, samba, bomba, and pop song, it is a metaphor in which Martin compares the music that makes the listener high from the rhythm of the dance to an alcoholic drink. The song received widely positive reviews from music critics, who complimented the danceable rhythm and highlighted it as one of the album's best tracks.
"La Bomba" won the award for Best Danceable Tune at the 1999 Premios Eres. The song was commercially successful, reaching the top-five in several Spanish-speaking countries, including Guatemala and Spain. The accompanying music video was filmed in Miami, and directed by Wayne Isham. It shows Martin singing and dancing surrounded by people. The song was included on the set lists for all of Martin's tours since 1998, while he also performed it at the 8th Annual Latin Grammy Awards. Several contestants on various dance competition talent shows have danced to the song, including Louis Smith and Flavia Cacace. (Full article...)
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"Píntame" (transl. "Paint Me") is a song by Puerto Rican American singer Elvis Crespo from his 1999 second studio album of the same name. The song was written by Crespo with Luis Angel Cruz and Robert Cora handling its productions. It is a merengue song in which Crespo asks an artist to materialize his lover by painting her. The song was met with positive reactions from three music critics who found the song to be catchy. An accompanying music video for the single features Crespo dancing with other performers in a white background.
Commercially, "Píntame" peaked at number two and one on the BillboardHot Latin Songs and Tropical Airplay charts in the United States. An English-language version of the song was released to dance radio stations in the US. The track garnered several accolades including the Lo Nuestro Award for Tropical Song of the Year in 2000. In 2019, Dominican Republic singer Gabriel Pagán [es]covered the song with Crespo and their version topped the merengue charts in the Dominican Republic. (Full article...)
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Cultura Profética band members Willy Rodríguez (left) and Boris Bilbraut (right) performing in Nicaragua on February 16, 2013
Cultura Profética (in English, Prophetic Culture) is a Puerto Ricanreggae band formed in 1996. The band has undergone several lineup changes, but founding members Willy Rodríguez (bass guitar, vocals), Eliut González (guitar), and Omar Silva (guitar, bass guitar) have remained in the group throughout its history. Despite primarily performing reggae music, Cultura Profética has experimented with genres such as bossa nova, tango, jazz, and salsa. Lyrically, the group discusses socio-political and ecological issues including Latin American identity and environmental concerns, as well as interpersonal relationships and love.
After gaining popularity in Puerto Rico as a cover band, Cultura Profética began performing original music and released its debut album, Canción de Alerta, in 1996. The group followed up with Ideas Nuevas in 2000, which featured further musical experimentation with a wider variety of musical styles, and then Diario in 2004. After relocating to Mexico, the band released M.O.T.A. in 2005, which peaked at number 12 on the Billboard Hot Latin Albums chart. In 2010, Cultura Profética released La Dulzura, which took a more romantic lyrical focus and produced the radio hit "La Complicidad". In recent years, Cultura Profética has released the singles "Saca, Prende y Sorprende" (2014), "Le Da Igual" (2015), and "Musica Sin Tiempo" (2017). The group released their most recent album, Sobrevolando, in November 2019. (Full article...)
Photo credit: US Department of Agriculture
The Common coquí is considered the unofficial national symbol of Puerto Rico. Although miniature in size (average length of 34 mm), the male's sound calls can sometimes reach 100 dB.
Non-Hispanic cultural diversity in Puerto Rico and the basic foundation of Puerto Rican culture began with the mixture of the Spanish, Taíno and African cultures in the beginning of the 16th century. In the early 19th century, Puerto Rican culture became more diversified with the arrival of hundreds of families from non-Hispanic countries such as Corsica, France, Germany and Ireland. To a lesser extent other settlers came from Lebanon, China, Portugal and Scotland.
Factors that contributed to the immigration of non-Hispanic families to Puerto Rico included the advent of the Second Industrial Revolution, and widespread crop failures in Europe. All this, plus the spread of the cholera epidemic, came at a time when desire for independence was growing among Spanish subjects of Spain's last two colonies in the Western Hemisphere, Puerto Rico and Cuba. (Full article...)
... that during the Korean War, the Battle of Outpost Kelly accounted for seventy-three of the men missing in action from the total of 121 men reported MIAs of Puerto Rico's 65th Infantry Regiment[1] and that out of the seventy-three MIAs suffered by the regiment in the month of September, fifty of them occurred on the same day September 18? See: Puerto Ricans Missing in Action in the Korean War[2]
... that ninety-five members of Puerto Rico's 65th Infantry Regiment were court-martialed in what is considered the largest mass court-martial of the Korean War?
... that the 65th Infantry Regiment was the only unit ever transferred from active component Army to the National Guard?
... that Admiral Horacio Rivero, Jr., was the first Puerto Rican and second Hispanic to become a four-star Admiral in the U.S. Navy? The first Hispanic full Admiral was David Farragut during the American Civil War.
... that the U.S. Naval Station Roosevelt Roads was meant to be the Pearl Harbor of the Atlantic and that it was the largest naval installation in the world? Yes, in 1940, when Germany attacked Great Britain, the United States feared that if Germany controlled Great Britain, Mexico and the U.S. would be next. In 1940, President Franklin Delano Roosevelt ordered the construction of a naval base in the Atlantic similar to Pearl Harbor in Hawaii. The site was meant to provide anchorage, docking, repair facilities, fuel, and supplies for 60% of the Atlantic Fleet. The naval base, which was named U.S. Naval Station Roosevelt Roads, became the largest naval installation in the world in land mass. The fate of the base was changed after the Germans were defeated and the Navy's attention shifted from the Atlantic to the Pacific.[6]
... that Brigadier General José M. Portela was and still is the youngest C-141 Starlifter aircraft commander and captain in the United States Air Force at age 26?[7]
... that during the Intentona de Yauco of March 26, 1897, the current version of the Flag of Puerto Rico was flown on the island for the first time by Fidel Vélez?[8]
The following are images from various Puerto Rico-related articles on Wikipedia.
Image 1"El desastre es la colonia" (the disaster is the colony), words seen on light meter six months after Hurricane Maria (from Culture of Puerto Rico)
Image 2US and Puerto Rico flags on a building in Puerto Rico (from Culture of Puerto Rico)
Image 3Flag flown by Fidel Vélez and his men during the "Intentona de Yauco" revolt. (from History of Puerto Rico)
Image 11The 45-star flag, used by the United States during the invasion of Puerto Rico, was also the official flag of Puerto Rico from 1899 to 1908. (from History of Puerto Rico)
Image 13Sugar cane workers resting at the noon hour, Rio Piedras. Photograph by Jack Delano, a photographer for the Farm Security Administration. Ca. 1941. (from History of Puerto Rico)
Image 14The first Supreme Court of Puerto Rico, established in 1900. (from History of Puerto Rico)
Image 16Los Reyes Magos painted by Hipolito Marte Martinez, "In Puerto Rico, Melchior is always represented with dark skin" (from Culture of Puerto Rico)
Image 17The original Lares revolutionary flag. The first "Puerto Rican Flag" used in the unsuccessful Grito de Lares (Lares Uprising). (from History of Puerto Rico)
Image 19An 1899, caricature by Louis Dalrymple (1866–1905), showing Uncle Sam harshly lecturing four black children labelled Philippines, Hawaii, Puerto Rico and Cuba (from History of Puerto Rico)
I am concerned that many young people in this Hemisphere seem to envision the United States as a nation intoxicated by power, addicted to warfare, controlled by a military-industrial complex, and determined to preserve the status quo, that we are against rapid economic and social growth...
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^"Historia militar de Puerto Rico"; by Héctor Andrés Negroni (Author); Publisher: Sociedad Estatal Quinto Centenario (1992); Language: Spanish; ISBN-10: 8478441387; ISBN-13: 978-8478441389