Portal:Society

In Western culture, the finger (as in giving someone the finger or the bird), also known as the finger wave, the middle finger, flipping someone off, or the one finger salute is an obscene hand gesture, often meaning the phrases "fuck off" or "fuck you". It is performed by showing the back of a closed fist that has only the middle finger extended upwards, though in some locales the thumb is also extended. Extending the finger is considered a universal symbol of contempt. The gesture dates back to Ancient Greece and was also used in Ancient Rome. Historically, it represented the phallus. In recent times, the gesture has gained increased acceptance, and has been used increasingly by musical artists, athletes, and politicians. However, many still view the gesture as obscene. Many cultures use similar gestures to display their disrespect towards others of a different culture.

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Batak warriors in 1870. The term "Batak" is used to collectively identify a number of ethnic groups predominantly found in North Sumatra, Indonesia. It includes the Toba, Karo, Pakpak, Simalungun, Angkola and Mandailing, each of which are distinct but related groups with distinct, albeit related, languages and customs (adat).

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• ... that Ayu Utami's 1998 novel Saman launched an Indonesian literary movement focusing on women's views of sexuality?
• ... that a fire in Christiania in 1858 (buildings pictured) left about 1,000 people homeless?
• ... that the New York City restaurant Chef's Table at Brooklyn Fare, which seats 18 people, received three Michelin stars?

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• 9 June 1886 - Centennial celebration of the foundation of the Stoughton Musical Society
• 14 June 1957 - IEEE Education Society was formed as the IRE Professional Group on Education
• 24 June 1834 - The Canadiens founded what would become the Saint-Jean-Baptiste Society
• 30 June 1897 - Foundation of the Shanghai Foot Emancipation Society (foot binding pictured)

“ The virtues of society are the vices of the saint. ” — Ralph Waldo Emerson, Essays, First Series (1841)

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Leonardo di ser Piero da Vinci (Italian pronunciation: [leoˈnardo da ˈvintʃi] pronunciation^ⓘ) (April 15, 1452 – May 2, 1519, Old Style) was an Italian Renaissance polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. His genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal. Leonardo has often been described as the archetype of the Renaissance Man, a man of "unquenchable curiosity" and "feverishly inventive imagination". He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived. According to art historian Helen Gardner, the scope and depth of his interests were without precedent and "his mind and personality seem to us superhuman, the man himself mysterious and remote". Marco Rosci states that while there is much speculation about Leonardo, his vision of the world is essentially logical rather than mysterious, and that the empirical methods he employed were unusual for his time. Born out of wedlock to a notary, Piero da Vinci, and a peasant woman, Caterina, at Vinci in the region of Florence, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. Much of his earlier working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded him by Francis I. Leonardo was and is renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait and The Last Supper the most reproduced religious painting of all time, with their fame approached only by Michelangelo's The Creation of Adam. Leonardo's drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro, textbooks, and T-shirts. Perhaps fifteen of his paintings survive, the small number because of his constant, and frequently disastrous, experimentation with new techniques, and his chronic procrastination. Nevertheless, these few works, together with his notebooks, which contain drawings, scientific diagrams, and his thoughts on the nature of painting, compose a contribution to later generations of artists rivalled only by that of his contemporary, Michelangelo. (Full article...)

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