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A society (/səˈsəti/) is a group of individuals involved in persistent social interaction or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Societies are characterized by patterns of relationships (social relations) between individuals who share a distinctive culture and institutions; a given society may be described as the sum total of such relationships among its constituent members.

Human social structures are complex and highly cooperative, featuring the specialization of labor via social roles. Societies construct roles and other patterns of behavior by deeming certain actions or concepts acceptable or unacceptable—these expectations around behavior within a given society are known as societal norms. So far as it is collaborative, a society can enable its members to benefit in ways that would otherwise be difficult on an individual basis.

Societies vary based on level of technology and type of economic activity. Larger societies with larger food surpluses often exhibit stratification or dominance patterns. Societies can have many different forms of government, various ways of understanding kinship, and different gender roles. Human behavior varies immensely between different societies; humans shape society, but society in turn shapes human beings. (Full article...)

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A Song Dynasty painting of an outdoor banquet
Chinese society during the Song Dynasty was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Contrarily, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly-respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. Daoism and Buddhism were the dominant religions of China in the Song era, the latter deeply impacting many beliefs and principles of Neo-Confucianism throughout the dynasty. The Song justice system was maintained by policing sheriffs, investigators, official coroners, and exam-drafted officials who acted as magistrates.

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The Ambassadors (1533) is a painting by Hans Holbein the Younger in the National Gallery, London. As well as being a double portrait, the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. The most notable and famous of Holbein's symbols in the work is the skewed skull, rendered in anamorphic perspective, which is placed in the painting's bottom centre. It is meant to be a visual puzzle as the viewer must approach the painting nearly from the side to see the form morph into an accurate rendering of a human skull.

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Laozi (Chinese: 老子; pinyin: Lǎozǐ; Wade–Giles: Lao Tzu; also romanized as Lao Tse, Lao Tu, Lao-Tsu, Laotze, Laosi, Laocius, and other variations) (fl. 6th century BCE) was a philosopher of ancient China, best known as the author of the Tao Te Ching (often simply referred to as Laozi). His association with the Tào Té Chīng has led him to be traditionally considered the founder of philosophical Taoism (pronounced as "Daoism"). He is also revered as a deity in most religious forms of Taoist philosophy, which often refers to Laozi as Taishang Laojun, or "One of the Three Pure Ones". According to Chinese traditions, Laozi lived in the 6th century BCE. Some historians contend that he actually lived in the 5th–4th century BCE, concurrent with the Hundred Schools of Thought and Warring States period, while some others argue that Laozi is a synthesis of multiple historical figures or that he is a mythical figure. A central figure in Chinese culture, both nobility and common people claim Laozi in their lineage. He was honored as an ancestor of the Tang imperial family, and was granted the title Táishāng xuānyuán huángdì, meaning "Supreme Mysterious and Primordial Emperor". Throughout history, Laozi's work has been embraced by various anti-authoritarian movements. (Full article...)

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