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Fantasy is a genre that uses magic and other supernatural forms as a primary element of plot, theme, and/or setting. Many works within the genre take place on fictional planes or planets where magic is common. Fantasy is generally distinguished from science fiction and horror by the expectation that it steers clear of scientific and macabre themes, respectively, though there is a great deal of overlap between the three (which are subgenres of speculative fiction).

In popular culture, the genre of fantasy is dominated by its medievalist form, especially since the worldwide success of The Lord of the Rings by J. R. R. Tolkien. In its broadest sense however, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient myths and legends to many recent works embraced by a wide audience today.

Fantasy is a vibrant area of academic study in a number of disciplines (English, cultural studies, comparative literature, history, medieval studies). Work in this area ranges widely, from the structuralist theory of Tzvetan Todorov, which emphasizes the fantastic as a liminal space, to work on the connections (political, historical, literary) between medievalism and popular culture.

The identifying traits of fantasy are the inclusion of fantastic elements in a self-coherent (internally consistent) setting, where inspiration from mythology and folklore remains a consistent theme. Within such a structure, any location of the fantastical element is possible: it may be hidden in, or leak into the apparently real world setting, it may draw the characters into a world with such elements, or it may occur entirely in a fantasy world setting, where such elements are part of the world. American fantasy, starting with the stories chosen by John W. Campbell, Jr. for the magazine Unknown, is often characterized by internal logic. That is, the events in the story are impossible, but follow "laws" of magic, and have a setting that is internally consistent.

Dobrynya Nikitich rescues Zabava Putyatishna from the dragon Gorynych.

Selected fantasy work

Jonathan Strange & Mr Norrell is the first novel by British writer Susanna Clarke. An alternative history set in 19th-century England around the time of the Napoleonic Wars, it is based on the premise that magic once existed in England and has returned with two men: Gilbert Norrell and Jonathan Strange. Centring on the relationship between these two men, the novel investigates the nature of "Englishness" and the boundary between reason and madness. It has been described as a fantasy novel, an alternative history, and a historical novel.

The narrative draws on various Romantic literary traditions, such as the comedy of manners, the Gothic tale, and the Byronic hero. The novel's language is a pastiche of 19th-century writing styles, such as those of Jane Austen and Charles Dickens. Clarke describes the supernatural with mundane details. She supplements the text with almost 200 footnotes, outlining the backstory and an entire fictional corpus of magical scholarship.

Clarke began writing Jonathan Strange & Mr Norrell in 1993; ten years later she submitted the manuscript for publication. It was accepted by Bloomsbury and published in September 2004, with illustrations by Portia Rosenberg. Bloomsbury was so sure of its success that they printed 250,000 hardcover copies. The novel was well-received by critics and reached number three on the New York Times bestseller list. It was longlisted for the 2004 Man Booker Prize and won the 2005 Hugo Award for Best Novel.

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