Portal:Traditional African religions

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Welcome to the Traditional African religions portal

Introduction

The beliefs and practices of African people are highly diverse, including various ethnic religions. Generally, these traditions are oral rather than scriptural and are passed down from one generation to another through folk tales, songs, and festivals, and include beliefs in spirits and higher and lower gods, sometimes including a supreme being, as well as the veneration of the dead, and use of magic and traditional African medicine. Most religions can be described as animistic with various polytheistic and pantheistic aspects. The role of humanity is generally seen as one of harmonizing nature with the supernatural. (Full article...)

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Selected article

The Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals that formed an integral part of ancient Egyptian society. It centered on the Egyptians' interaction with many deities believed to be present in, and in control of, the world. Rituals such as prayer and offerings were provided to the gods to gain their favor. Formal religious practice centered on the pharaoh, the rulers of Egypt, believed to possess a divine power by virtue of their position. They acted as intermediaries between their people and the gods, and were obligated to sustain the gods through rituals and offerings so that they could maintain Ma'at, the order of the cosmos. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples.

Selected images

Image 1The Senegambian stone circles (Wassu section) believed by archaeologists and historians to be built by the Serer people of the Senegambia region. The Senegambia stone circles are the largest concentration of stone circles seen anywhere in the world according to UNESCO. They are sacred burial grounds and a place of ritual offerings (kuur in Serer).
Credit: Atamari
For more about this picture, see Senegambian stone circles, Mummification and Cult of the Upright Stones in Serer religion, and Serer ancient history.
Image 2Bakongo masks from the Kongo Central. In traditional African religions, masks play an important part in many ritual ceremonies.
Credit: Ndoto ya Afrika
For more about this picture, see Practices and rituals in traditional African religions, Traditional African masks, African art and African sculpture.
Image 3The gods Osiris, Anubis and Horus, in order from left to right, painted inside the tomb of pharaoh Horemheb.
Credit: A. Parrot
For more about this picture, see Ancient Egyptian deities and Ancient Egyptian religion.
Image 4Traditional healer of South Africa performing a divination by reading the bones.
Credit: User:FastilyClone (Fastily)
For more about this picture, see Divination in Traditional African religions and African divination
Image 5Vodun altar with several fetishes in Abomey, Benin (West Africa).
Credit: Dominik Schwarz
More about this picture on West African Vodun...
Image 6An early-20th-century Igbo medicine man in Nigeria, West Africa.
Credit: Ukabia
For more about this picture, see Divination in Traditional African Religions, African divination, Traditional African medicine and Igbo religion.
Image 7An early 20th century Yoruba divination board.
Credit: Tamsier
For more about this picture, see Divination in Traditional African religions and African divination
Image 8Serer representation of the universe. The three worlds : the invisible world, the terrestrial world and the nocturnal world.
Credit: Henry Gravrand - La civilisation sereer : Pangool
For more about this picture, see Serer creation myth and Serer religion (A ƭat Roog).
Image 9The Mbot mask. Symbol of the Serer peoples' Ndut initiation rite.
Credit: Tamsier
More about the Ndut rite of passage....
Image 10The star Yoonir, symbol of the Universe in Serer religion and Cosmogony. The peak of the star (top point) represents the Supreme Deity (Roog). The other four points represent the cardinal points of the Universe. The crossing of the lines ("bottom left" and "top right", and "top left" and "bottom right") pinpoints the axis of the Universe that all energies pass. The top point is "the point of departure and conclusion, the origin and the end". Among the Serers who cannot read or write the Latin alphabet, it is very common for them to sign official documents with the star of Yoonir, as the star also represents "good fortune and destiny". Yoonir also represents the Serer people and the Serer precolonial Kingdom of Sine.
Credits: Sarang, AnonMoos, (and Yoonir file by Tamsier)
For more about the pentagram in Serer spirituality, see Yoonir in Serer religion and Serer creation myth.
Image 11An Igbo Ukwu bronze ceremonial vessel made around the 9th century AD.
Credit: Ukabia
More about this picture on Archaeology of Igbo-Ukwu...

Festivals

There are several religious festivals found in the various Traditional African religions. Some of these are listed below next to their corresponding religion :

Afro-Cuban religion : Plantes
Dogon religion : Bulo — Sigi — Dama — Bado — Bago — Gogo
Igbo religion : Ekpe festivals — New Yam Festival of the Igbo — The Iwa ji festival
Jamaican Maroon religion : Kumina — Kromanti dance
Jola : Kumpo — Niasse — Samay
San religion : Healing dances
Serer religion : Daqaar mboob — Diouck — Gamo — Jobai — Khanghere — Mindisse — Mbosseh (or mboosé) — Mboudaye — Ndut — Randou Rande — Raan (held at Tukar, see also Saltigue) — Sam Southieh — The consultation at Ngalagne — The massacre of Cadde — The royal struggle — The session struggle at Ndiaye-Ndiaye — The session struggle Jiloor (Jijaak) — Tobaski — Tourou Peithie — Xoy (main Xoy held at Fatick)
Yoruba religion : Odun Egungun — The Yoruba calendar (the year in festivals)

Selected biography

Ogotemmeli (died 1962) was the Dogon elder and high priest (Hogon) who narrated the cosmogony, cosmology and symbols of the Dogon people to French anthropologist Marcel Griaule during the 1930s, 1940s, and 1950s, that went on to be documented and adapted by contemporary scholars. A lot of what we know about Dogon religion, cosmogony and symbolism came from Griaule's work, which in turn came from Ogotemmeli—who taught it to him.

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“

It was the spirit . . . not merely African but universal, which was truly captured by modern Cubist artists. The fact that they collected African sculptures meant that these moderns lived with them sufficiently to absorb the sculptures’ radiance, and not merely to “borrow” forms. They did not divide the form from the content, any more than the human body can be separated from the mind. It was an “influence,” if one wishes to use this word; but an influence of the content which was fi rst digested in its essence by the artists, and then recreated by them.

”

On the influence of African religion on art, Aloysius M. Lugira (2009), quoting Ladislas Segy (1975),

Source: African Traditional Religion, Third Edition, 2009 by Aloysius M. Lugira, quoting Ladislas Segy, "African Sculpture Speak",Da Capo Press (1975), p. 118, ISBN 9780306800184

Did you know

...that the organizers of FESTIMA, a festival in Burkina Faso celebrating traditional African masks, estimate that 100,000 people attended in 2016?