Portal:Writing

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Introduction

Writing is the act of creating a persistent representation of human language. A writing system uses a set of symbols and rules to encode aspects of spoken language, such as its lexicon and syntax. However, written language may take on characteristics distinct from those of any spoken language.

Writing is a cognitive and social activity involving neuropsychological and physical processes. The outcome of this activity, also called "writing", and sometimes a "text", is a series of physically inscribed, mechanically transferred, or digitally represented symbols. The interpreter or activator of a text is called a "reader".

In general, writing systems do not constitute languages in and of themselves, but rather a means of encoding language such that it can be read by others across time and space. While not all languages use a writing system, those that do can complement and extend the capacities of spoken language by creating durable forms of language that can be transmitted across space (e.g. written correspondence) and stored over time (e.g. libraries or other public records). Writing can also have knowledge-transforming effects, since it allows humans to externalize their thinking in forms that are easier to reflect on, elaborate on, reconsider, and revise. (Full article...)

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Pictured left: The stylized signature (tughra) of Sultan Mahmud II of the Ottoman Empire was written in an expressive calligraphy. It reads Mahmud Khan son of Abdulhamid is forever victorious.

Islamic calligraphy is the art of writing, and by extension, of bookmaking. This art has most often employed the Arabic script, throughout many languages. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an.

Throughout Islamic history, the work of calligraphers was collected and appreciated. Consideration of figurative art as idolatrous led to calligraphy and abstract figures becoming the main methods of artistic expression in Islamic cultures.

Arabic, Persian and Ottoman Turkish calligraphy is associated with geometric Islamic art (the Arabesque) on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work. (Full article...)

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An Ottoman Empire era ijazah written in Arabic certifying competence in calligraphy, 1206 AH / 1791 AD

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Rudolf Koch (November 20, 1876 - April 9, 1934) was a leading German calligrapher, typographic artist and teacher, born in Nuremberg. He was primarily a calligrapher with the Gebr. Klingspor foundry. He created several fonts, both in fraktur and normal formats. Fritz Kredel studied under Koch.

Koch wrote a book of 493 old-world symbols, monograms and runes entitled The Book of Signs which was published in 1955 by Dover Publications, INC. and which belongs to the Dover Pictorial Archive Series.

Some of Koch's work can be seen today at the Klingspor Museum in Offenbach.

Some typefaces developed by Koch include:

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WritingCalligraphyPenmanshipWriting implementsInksAlphabetic writing systemsAbjadAbugidaKanjiLogographic writing systemsWriting systemsCyrillic alphabetsHellenic scriptsScript typefaces

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