Back Xeremia Catalan Cialamella Corsican Šalmaj Czech Skalmeje Danish Schalmei German Ŝalmo Esperanto Shawm Spanish Txirimia Basque Skalmeija Finnish Chalemie French
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| Classification | Double reed |
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The shawm (/ʃɔːm/) is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.[1] Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the ancient Greek, and later Byzantine aulos,[2][3] the closely related sorna and zurna,[4] and the Armenian duduk.
The body of the shawm is usually turned from a single piece of wood, and terminates in a flared bell somewhat like that of a trumpet. Beginning in the 16th century, shawms were made in several sizes, from sopranino to great bass, and four- and five-part music could be played by a consort consisting entirely of shawms. All later shawms (excepting the smallest) have at least one key allowing a downward extension of the compass; the keywork is typically covered by a perforated wooden cover called the fontanelle.[citation needed] The bassoon-like double reed, made from the same arundo donax cane used for oboes and bassoons, is inserted directly into a socket at the top of the instrument, or in the larger types, on the end of a metal tube called the bocal. The pirouette, a small wooden attachment with a cavity in the center resembling a thimble, surrounds the lower part of the reed—this provides support for the lips and embouchure.[5]
Since only a short portion of the reed protrudes past the pirouette, the player has only limited contact with the reed, and therefore limited control of dynamics. The shawm's conical bore and flaring bell, combined with the style of playing dictated by the use of a pirouette, gives the instrument a piercing, trumpet-like sound, well-suited for outdoor performances.
- ^ The Shawm and Curtal—from the Diabolus in Musica Guide to Early Instruments
- ^ West, Martin L. (January 1992). Ancient Greek Music. Clarendon Press. p. 84. ISBN 0-19-814975-1.
The single reed or clarinet mouthpiece was known to other ancient peoples, and I should not venture to assert that it was not known to the Greeks. But the evidence of both art and literature indicates that it was the double reed that was standard in the Classical period. Under the Hornbostel-Sachs system, therefore, the aulos should be classified as an oboe. It must be admitted that 'oboe-girl' is less evocative than the 'flute-girl' to which classicists have been accustomed, and that when it is a question of translating Greek poetry 'oboe' is likely to sound odd. For the latter case I favor 'pipe' or 'shawm.'
- ^ Rautman, Marcus (2006). Daily Life in the Byzantine Empire. Greenwood Publishing Group. p. 276. ISBN 9780313324376.
- ^ Anthony C. Baines and Martin Kirnbauer, "Shawm [scalmuse, shalm, shalmie, schalmuse]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
- ^ Jeremy Montagu, "Shawm [shalme, hautboy, hoboy, wait-pipe]", The Oxford Companion to Music, edited by Alison Latham (Oxford: Oxford University Press, 2002).
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