Author | Carlo Collodi |
---|---|
Illustrator | Enrico Mazzanti |
Language | Italian |
Genre | Fantasy, adventure |
Publication date | July 7, 1881 – 1882 (magazine) February 1883 (novel) |
Publication place | Italy |
The Adventures of Pinocchio (/pɪˈnoʊkioʊ/ pin-OH-kee-oh; Italian: Le avventure di Pinocchio. Storia di un burattino [le avvenˈtuːre di piˈnɔkkjo ˈstɔːrja di um buratˈtiːno, - dj um -], i.e. "The Adventures of Pinocchio. Story of a Puppet"), commonly shortened to Pinocchio, is a children's fantasy novel by Italian author Carlo Collodi. It is about the mischievous adventures of an animated marionette named Pinocchio and his creator and father figure, a poor woodcarver named Geppetto.
The story was originally published in serial form as The Story of a Puppet (Italian: La storia di un burattino) in the Giornale per i bambini, one of the earliest Italian weekly magazines for children, starting from 7 July 1881. The story stopped after nearly 4 months and 8 episodes at Chapter 15, but by popular demand from readers, the episodes were resumed on 16 February 1882.[1] In February 1883, the story was published in a single book. Since then, Pinocchio has been one of the most popular children's books and been critically acclaimed.[1]
A universal icon and a metaphor of the human condition, the book is considered a canonical piece of children's literature and has had great impact on world culture. Philosopher Benedetto Croce considered it one of the greatest works of Italian literature.[2] Since its first publication, it has inspired many works of fiction, such as Walt Disney's animated version, and commonplace ideas such as a liar's long nose.
The book has been translated into as many as 260 languages worldwide,[3][4] making it one of the world's most translated books.[3] While it is likely one of the best-selling books ever published, the actual total sales since its first publication are unknown due to the many reductions and different versions.[3] According to Viero Peroncini: "some sources report 35 million [copies sold], others 80, but it is only a way, even a rather idle one, of quantifying an unquantifiable success".[5] According to Francelia Butler, it also remains "the most translated Italian book and, after the Bible, the most widely read".[6]
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