The Wedding Banquet | |||||||
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![]() Theatrical release poster | |||||||
Chinese name | |||||||
Traditional Chinese | 喜宴 | ||||||
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Directed by | Ang Lee | ||||||
Written by | Ang Lee Neil Peng James Schamus | ||||||
Produced by | Ang Lee Ted Hope James Schamus | ||||||
Starring | |||||||
Cinematography | Jong Lin | ||||||
Edited by | Tim Squyres | ||||||
Music by | Thierry Schollhammer Chosei Funahara | ||||||
Production companies | |||||||
Distributed by | Central Motion Picture Corporation (Taiwan) The Samuel Goldwyn Company (U.S.) | ||||||
Release dates |
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Running time | 106 minutes | ||||||
Countries | Taiwan United States[1] | ||||||
Languages | Mandarin English | ||||||
Budget | $1 million[2] | ||||||
Box office | $23.6 million[2] |
The Wedding Banquet[3] is a 1993 romantic comedy film directed, produced and co-written by Ang Lee. The story concerns a gay Taiwanese immigrant man (played by Winston Chao, in his film debut) who marries a mainland Chinese woman (May Chin) to placate his parents (Gua Ah-leh and Lung Sihung) and get her a green card. His plan backfires when his parents arrive in the United States to plan his wedding banquet and he has to hide the truth of his gay partner (Mitchell Lichtenstein). It was a co-production of Lee's Good Machine production company, and the Taiwanese Central Motion Picture Corporation.
Lee's second feature film and his first to get a theatrical release in the United States, The Wedding Banquet premiered at the 43rd Berlin International Film Festival, where it won the Golden Bear. It was both a critical and commercial success and won five Golden Horse Awards, including Best Film and Best Director. It received Oscar and Golden Globe nominations for Best Foreign-Language Film, as well as six Independent Spirit Award nominations.
Together with Pushing Hands (1991) and Eat Drink Man Woman (1994), all showing the Confucian family at risk, and all starring the Taiwanese actor Lung Sihung, The Wedding Banquet forms what has been called Lee's "Father Knows Best" trilogy.[4]
In 2023, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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