Tomb effigy

A tomb effigy (French: gisant ("lying")) is a sculpted effigy of a deceased person usually shown lying recumbent on a rectangular slab,^[1] presented in full ceremonious dress or wrapped in a shroud, and shown either dying or shortly after death. Although such funerary and commemorative reliefs were first developed in Ancient Egyptian and Etruscan cultures, they appear most numerously in Western Europe tombs from the later 11th century, in a style that continued in use through the Renaissance and early modern period, and are still sometimes used. They typically represent the deceased in a state of "eternal repose", with hands folded in prayer, lying on a pillow, awaiting resurrection. A husband and wife may be depicted lying side by side.

The life-size recumbent effigy was first found in the tombs of royalty and senior clerics, and then spread to the nobility. A particular type of late medieval effigy was the transi, or cadaver monument, in which the effigy is in the macabre form of a decomposing corpse, or such a figure lies on a lower level, beneath a more conventional effigy. Mourning or weeping figures, known as pleurants were added to important tombs below the effigy. Non-recumbent types of effigy became popular during the Renaissance. In the early Modern period, European effigies were often shown as alive, either kneeling or in a more active pose, especially for military figures. Variations showed the deceased lying on their side as if reading, kneeling in prayer, or even standing. The recumbent effigy had something of a revival during the 19th century Gothic revival, especially for bishops and other clerics.

Some of the best-known examples of the form are in Westminster Abbey in London, St Peter’s Basilica in Rome, Santi Giovanni e Paolo, Venice (twenty-five Doges), and the Basilica of Santa Croce, Florence.