Trecento

Art of Italy
Periods
Nuragic Etruscan Ancient Roman Italo-Byzantine Gothic architecture Renaissance painting and sculpture Mannerism Baroque and Rococo Neoclassical and 19th century Modern and contemporary
Centennial divisions
Duecento Trecento Quattrocento Cinquecento Seicento Settecento
Important art museums
Uffizi Pinacoteca di Brera Vatican Museums Villa Borghese Sabauda Gallery Gallerie dell'Accademia Pitti Palace Accademia di Belle Arti Firenze Bargello
Important art festivals
Venice Biennale Rome Quadriennale
Major works
The Tribute Money (Masaccio) The Birth of Venus Primavera Mona Lisa The Last Supper Annunciation (Leonardo) Sistine Chapel ceiling Sistine Madonna Pietà The Last Judgment The Creation of Adam David (Michelangelo) The School of Athens The Battle of San Romano Venus of Urbino David (Donatello) The Calling of St. Matthew Unique Forms of Continuity in Space
Italian artists
Painters Sculptors Architects Photographers Illustrators
Italian art schools
Bolognese school Ferrarese school Forlivese school Florentine school Lucchese and Pisan School Sienese school Venetian school
Art movements
Italo-Byzantine Renaissance Pittura infamante Mannerism Baroque Macchiaioli Futurism Novecento Italiano Metaphysical art Scuola Romana Aeropittura Arte Povera Transavantgarde
Other topics
Italian architecture Sculpture of Italy Timeline of Italian artists to 1800 Raphael Rooms
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The Trecento (/treɪˈtʃɛntoʊ/,^[1][2][3] also US: /trɛˈ-/,^[4] Italian: [ˌtreˈtʃɛnto]; short for milletrecento, "1300") refers to the 14th century in Italian cultural history.^[5] The Trecento is considered to be the beginning of the Italian Renaissance or at least the Proto-Renaissance in art history. The Trecento was also famous as a time of heightened literary activity, with writers working in the vernacular instead of Latin. In music, the Trecento was a time of vigorous activity in Italy, as it was in France, with which there was a frequent interchange of musicians and influences.