Who's Next

Who's Next
Who's Next
Studio album by the Who
Released	2 August 1971
Recorded	April–June 1971
Studio	Olympic, London, England; Stargroves, East Woodhay, England (Rolling Stones Mobile Studio);
Genre	Hard rock; arena rock;
Length	43:39
Label	Track; Decca;
Producer	The Who; Glyn Johns (associate producer);
The Who chronology
Singles from Who's Next
	"Won't Get Fooled Again"; Released: 25 June 1971; "Baba O'Riley"; Released: October 1971 (Europe); "Behind Blue Eyes"; Released: October 1971 (US);

Who's Next is the fifth studio album by the English rock band the Who, released on 2 August 1971. It developed from the aborted Lifehouse project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album Tommy. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on Who's Next were from Lifehouse, with the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining Lifehouse tracks would all be released on other albums throughout the next decade.

The Who recorded Who's Next with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent use of synthesizer on the album, particularly on "Won't Get Fooled Again" and "Baba O'Riley", which were both released as singles. The cover photo was shot by Ethan Russell; it made reference to the monolith in the 1968 film 2001: A Space Odyssey, as it featured the band standing by a concrete piling protruding from a slag heap in South Yorkshire, apparently having urinated against it.

The album was an immediate critical and commercial success and has since been viewed by many critics as the Who's best album, as well as one of the greatest albums of all time. It has been reissued on CD several times, often with additional songs originally intended for Lifehouse included as bonus tracks. Who's Next was ranked number 77 on Rolling Stone's 2020 edition of its "The 500 Greatest Albums of All Time" list.

^ "RIAA certifications". Recording Industry Association of America.
^ Neill & Kent 2002, pp. 282–284.
^ Neill & Kent 2002, p. 280.
^ Pitchfork Staff (23 June 2004). "The 100 Best Albums of the 1970s". Pitchfork. Retrieved 18 April 2023. ...Who's Next is paradoxically also the first record on which an arena-rock band sounds downright Wembley Stadium–large.
^ EW Staff (27 September 2012). "Top 100 Albums". Entertainment Weekly. Retrieved 5 May 2023.
^ Kemp, Mark (2004). "The Who". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 871–873. ISBN 0-7432-0169-8.
^ "Discography – Won't Get Fooled Again". The Who (official website). Archived from the original on 15 August 2021. Retrieved 6 November 2010.

[1] "RIAA certifications". Recording Industry Association of America.

[FOOTNOTENeillKent2002282–284-2] Neill & Kent 2002, pp. 282–284.

[FOOTNOTENeillKent2002280-3] Neill & Kent 2002, p. 280.

[Pitchfork_Staff_2004-4] Pitchfork Staff (23 June 2004). "The 100 Best Albums of the 1970s". Pitchfork. Retrieved 18 April 2023. ...Who's Next is paradoxically also the first record on which an arena-rock band sounds downright Wembley Stadium–large.

[EW_Staff_2019-5] EW Staff (27 September 2012). "Top 100 Albums". Entertainment Weekly. Retrieved 5 May 2023.

[RS_2004-6] Kemp, Mark (2004). "The Who". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 871–873. ISBN 0-7432-0169-8.

[7] "Discography – Won't Get Fooled Again". The Who (official website). Archived from the original on 15 August 2021. Retrieved 6 November 2010.

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