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The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921."[1] The Chitlin Circuit sustained black musicians and dancers during the era of racial segregation in the United States from the 1930s through the '60s.[2][1]
- ^ a b Miller, Adrian (June 28, 2022). "Inside the 'Chitlin Circuit,' a Jim Crow-Era Safe Space for Black Performers". Gastro Obscura. Atlas Obscura. Retrieved July 6, 2022.
- ^ Englehardt, Sheree (August 27, 2015). "Musicians trying to save Legendary Blues Joint". Bay New 9. Retrieved August 29, 2015.
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