Back Dark Wave Afrikaans Dark wave Azerbaijani Дарквейв Byelorussian Даркуейв Bulgarian Dark wave Czech Dark Wave German Dark Wave Greek Malluma ondo Esperanto Dark wave Spanish دارک ویو Persian
 | It has been suggested that Neoclassical dark wave be merged into this article. (Discuss) Proposed since March 2024. |
| Dark wave | |
|---|---|
| Other names | |
| Stylistic origins | |
| Cultural origins | Late 1970s – early 1980s, Europe (particularly in the United Kingdom, West Germany, Belgium, France and Italy) |
| Subgenres | |
| Regional scenes | |
Dark wave (also typeset as darkwave) is a music genre that emerged from the new wave and post-punk movement of the late 1970s.[5][6] Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow.[5][7] The genre embraces a range of styles including cold wave,[8] ethereal wave,[9] gothic rock,[8][10][6] neoclassical dark wave[11] and neofolk.[10]
In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose followers were called wavers[12][13] or dark wavers.[14][15] In some countries such as Germany, the movement also included fans of gothic rock[1] (so-called trad-goths).[16]
- ^ a b Steinberg, Shirley R.; Parmar, Priya; Richard, Birgit (2005). Contemporary Youth Culture. An International Encyclopedia. Volume II. Greenwood Publishing Group. p. 431. ISBN 0-313-33729-2.
- ^ Dumeier, Michael: Smalltalk & Concerts, The Mettmist music magazine, issue 1, 1984, p. 24
Janning, Frank: The Lawyers of Death, SPEX. Musik zur Zeit, issue 9/86, September 1986, p. 10
Schubert, Dieter: Was ist ein Perfect Beat?, My Way music magazine, issue 9, 1988, p. 20 - ^ Ogiba, Jeff (11 July 2012). "A Brief History of Musical Waves from NEW to NEXT". Vice.
- ^ Webb, Peter: Exploring the Networked Worlds of Popular Music, Routledge Chapman & Hall, 2007, ISBN 0-415-95658-7, p. 60
- ^ a b Farin, Klaus; Neubauer, Hendrik (2001). Artificial Tribes: Jugendliche Stammeskulturen in Deutschland (Orig.-Ausg. ed.). Bad Tölz: Tilsner. p. 139. ISBN 3-933773-11-3. OCLC 493304020.
- ^ a b Hecken, Thomas; Kleiner, Marcus S. (2017). Handbuch Popkultur. J. B. Metzler Verlag. p. 79. ISBN 978-3-476-02677-4.
- ^ Schmidt, Axel; Neumann-Braun, Klaus: Die Welt der Gothics. Spielräume düster konnotierter Transzendenz., Wiesbaden: VS Verlag für Sozialwissenschaften 2004, ISBN 3-531-14353-0, p. 270
- ^ a b Schilz, Andrea: Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten. Waxmann Verlag, 2010, ISBN 978-3-8309-2097-7, p. 84.
- ^ Reesman, Bryan (April 1999). "The Scene Is Now: Dark Wave". CMJ New Music Monthly (68): 48.
Female vocals, both wispy and operatic, have become fashionable, particularly in the Ethereal subgenre
. - ^ a b Uecker, Susann: Mit High-Heels im Stechschritt, Hirnkost Verlag, 2014, ISBN 3-943-77453-8
- ^ Carstens, Olaf; Thalhofer, Frank: Duden - Das Fremdwörterbuch, Bibliographisches Institut, Auflage 11, 2015, ISBN 3-411-04061-0, p. 726
- ^ Farin, Klaus; Wallraff, Kirsten; Archiv der Jugendkulturen e.V., Berlin (1999). Die Gothics : Interviews, Fotografien (Orig.-Ausg. ed.). Bad Tölz: Tilsner. ISBN 9783933773098.
- ^ Matzke, Peter; Seeliger, Tobias (2002). Die schwarze Musik-Szene in Deutschland (2., erg. Aufl. ed.). Berlin: Schwarzkopf & Schwarzkopf. p. 217. ISBN 3-89602-332-2. OCLC 742385153.
- ^ Haumann, Melanie: Fetisch Weiblichkeit. Der Mythos der schönen Frau?, Verlag für Wissenschaft und Forschung, 2001, ISBN 3-897-00326-0, p. 2
- ^ Farin, Klaus: "Jugend, Gesellschaft und Recht im neuen Jahrtausend", Forum Verlag Godesberg, 2003, ISBN 3-930-98284-6, p. 66
- ^ Hodkinson, Paul: Goth. Identity, Style and Subculture, Bloomsbury Academic, 2002, ISBN 1-859-73605-X, p. 50
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