Edward Burne-Jones

Sir Edward Burne-Jones Bt ARA
Photogravure of a portrait of Edward Burne-Jones by his son Philip Burne-Jones, 1898
Born	Edward Coley Burne Jones (1833-08-28)28 August 1833 Birmingham, England
Died	17 June 1898(1898-06-17) (aged 64) London, England
Known for	Painting
Movement	Pre-Raphaelite Brotherhood Aesthetic Movement Arts and Crafts Movement
Spouse	Georgiana MacDonald ​ (m. 1860)​
Partner	Maria Zambaco (1866–1869)
Relatives	Philip Burne-Jones (son) John William Mackail (son-in-law) Stanley Baldwin (nephew-in-law) Rudyard Kipling (nephew-in-law) Angela Thirkell (granddaughter) Denis Mackail (grandson)

Sir Edward Coley Burne-Jones, 1st Baronet, ARA (/bɜːrnˈdʒoʊnz/;^[1] 28 August, 1833 – 17 June, 1898) was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter.

Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts.^[2]

Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included The Beguiling of Merlin. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement.

In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the production of which was a revived craft during the 19th century. His designs are still to be found in churches across the UK, with examples in the US and Australia.