Dance-pop

Dance-pop is a subgenre of pop music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco,[2] post-disco[3] and synth-pop,[1] it is generally characterised by strong beats with easy, uncomplicated song structures[2] which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes.[2] The genre, on the whole, tends to be producer-driven, despite some notable exceptions.[2]

Dance-pop is highly eclectic, having borrowed influences from other genres, which varied by producers, artists and periods. Such include contemporary R&B, house, trance, techno, electropop, new jack swing, funk and pop rock.

Dance-pop is a popular mainstream style of music and there have been numerous artists and groups who perform in the genre. Notable artists include Cher, Madonna, Britney Spears, Rick Astley, Kylie Minogue, Christina Aguilera, Spice Girls, Paula Abdul, Backstreet Boys, Michael Jackson, NSYNC, Jennifer Lopez, Janet Jackson, Rihanna, Katy Perry, Lady Gaga, Dua Lipa, Years & Years, Justin Bieber, Taylor Swift, Carly Rae Jepsen, and Ava Max, among others.

  1. ^ a b Glenn Appell, David Hemphill (2006). American popular music: a multicultural history. Belmont, CA: Thomson Wadsworth. p. 423. ISBN 0155062298. Retrieved 12 May 2012. The 1980s brought the dawning age of the synthesizer in rock. Synth pop, a spare, synthesizer-based dance-pop sound, was its first embodiment.
  2. ^ a b c d "Dance-pop". AllMusic. 30 October 2011.
  3. ^ Smay, David & Cooper, Kim (2001). Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears: "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. ISBN 0-922915-69-5.

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