Women's music

Women's music is a type of music base on the ideas of feminist separatism and lesbian-separatism, designed to inspire feminist consciousness,[1] chiefly in Western popular music, to promote music "by women, for women, and about women".[2]

Women's music initially focus on feminism questions which expose the unfair treatment on female from society and families that was ignored by men. Its lyrics focus on the power of women individually and in women solidarity. Later, it became lesbian music.

As an offshoot of the feminist movement, the genre be referred as a musical expression of the second-wave feminist movement[3] as well as include the female labor, civil rights, and peace movements.[4] The movement was started by lesbian performers such as Cris Williamson, Meg Christian and Margie Adam, African-American musicians including Linda Tillery, Mary Watkins, Gwen Avery[5] and activists such as Bernice Johnson Reagon and her group Sweet Honey in the Rock, and peace activist Holly Near.[4] Women's music is not only related with female performers but also had all female workers in the industry. Studio musicians, producers, sound engineers, technicians, cover artists, distributors, promoters, and festival organizers who are also women.[2]

  1. ^ Cite error: The named reference Kehrer2016 was invoked but never defined (see the help page).
  2. ^ a b Lont 1992, p. 242.
  3. ^ Peraino 2001, p. 693.
  4. ^ a b Mosbacher 2002.
  5. ^ Hayes 2010.

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