Cimbasso

Cimbasso

A modern cimbasso in F
Brass instrument
Classification	Wind Brass Aerophone
Hornbostel–Sachs classification	423.233.2 (Valved aerophone sounded by lip vibration with cylindrical bore longer than 2 metres)
Developed	early 19th century, in Italian opera orchestras; modern design emerged mid 20th century
Playing range
The range of the early cimbasso (see serpent, ophicleide)[1] and modern cimbasso in F
Related instruments
Contrabass trombone Tuba Upright serpent Ophicleide
Musicians
Mattis Cederberg [sv] Tommy Johnson Jim Self Doug Tornquist
Builders
Červený G&P (formerly Kalison) Haag Helmut Voigt Jürgen Voigt Lätzsch Melton Meinl Weston Mike Johnson Custom Rudolf Meinl Thein Wessex [2]

The cimbasso is a low brass instrument that covers the same range as a tuba or contrabass trombone. First appearing in Italy in the early 19th century as an upright serpent, the term cimbasso came to denote several instruments that could play the lowest brass part in 19th century Italian opera orchestras. The modern cimbasso design, first appearing as the trombone basso Verdi in the 1880s, has four to six rotary valves (or occasionally piston valves), a forward-facing bell, and a predominantly cylindrical bore. These features lend its sound to the bass of the trombone family rather than the tuba, and its valves allow for more agility than a contrabass trombone. Like the modern contrabass trombone, it is most often pitched in F, although models are occasionally made in E♭ and low C or B♭.

In the modern orchestra, cimbasso parts are usually played by tuba players as a doubling instrument. Although most commonly used for performances of late Romantic Italian opera, it has since found increased and more diverse use. Jazz musician Mattis Cederberg [sv] uses cimbasso in big bands and as a solo instrument. Cimbasso is now commonly called for in film and video game soundtracks. Los Angeles tuba players Tommy Johnson, Doug Tornquist and Jim Self have featured on many Hollywood recordings playing cimbasso, particularly since the popularisation of loud, low-brass heavy orchestral soundtracks.