Viol

Viol
String instrument
Other namesViola da gamba; gamba (informal)
Hornbostel–Sachs classification321.322-71
(Composite chordophone sounded by a bow)
DevelopedLate 15th century from the vihuela
Related instruments
Sound sample

The viol (/ˈvəl/),[1] viola da gamba[a] (Italian: [ˈvjɔːla da (ɡ)ˈɡamba]), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain and Italy in the mid-to-late 15th century, and were most popular in the Renaissance[2] and Baroque (1600–1750) periods.[3] Early ancestors include the Arabic rebab and the medieval European vielle,[4][5] but later, more direct possible ancestors include the Venetian viole[6] and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute (and also like a present-day viol)[4][5] that looked like but was quite distinct from (at that time) the four-course guitar[7] (an earlier chordophone).[8]

Although bass viols superficially resemble cellos, viols are different in numerous respects from instruments of the violin family: the viol family has flat rather than curved backs, sloped rather than rounded shoulders, c holes rather than f holes, and five to seven rather than four strings; some of the many additional differences are tuning strategy (in fourths with a third in the middle—similar to a lute—rather than in fifths), the presence of frets, and underhand rather than overhand bow grip.[9]

All members of the viol family are played upright (unlike the violin or the viola, which are held under the chin). All viol instruments are held between the legs like a modern cello, hence the Italian name viola da gamba (it. "viol for the leg") was sometimes applied to the instruments of this family. This distinguishes the viol from the modern violin family, the viola da braccio (it. "viol for the arm"). A player of the viol is commonly known as a gambist, violist /ˈvəlɪst/, or violist da gamba. "Violist" is a homograph of the word commonly used since the mid-20th century to refer to a player of the viola, which can cause confusion in written/printed texts when not clear from the context.

  1. ^ "viol noun – Pronunciation | Oxford Advanced Learner's Dictionary at Oxford Learner's Dictionaries". Oxfordlearnersdictionaries.com. Retrieved 18 April 2021.
  2. ^ "Putto holding a "viole de gambe" in the Musiconis database". Musiconis.huma-num.fr. Retrieved 18 April 2021.
  3. ^ Woodfield, Ian; Robinson, Lucy. Viol [viola da gamba, gamba]. In: Sadie, Stanley, ed. The New Grove Dictionary of Music and Musicians. Vol. 19. London, UK: Macmillan Publishers Ltd; 1980;791–808.
  4. ^ a b Otterstedt, Annette. The Viol: History of an Instrument. Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002.
  5. ^ a b Cite error: The named reference Woodfield 1984 was invoked but never defined (see the help page).
  6. ^ Cite error: The named reference :0 was invoked but never defined (see the help page).
  7. ^ Rodriguez Alvira, José. "La vihuela y la guitarra en el siglo XVI". Aulaactual.com. Retrieved July 18, 2013.
  8. ^ Rault, Christian. "The emergence of new approaches to plucked instruments, 13th – 15th centuries. Michalestein, 2001". Prolyra.free.fr. Retrieved July 18, 2013. Rault notes that the first mention of the guitarra was in the late-13th- or early-14th-century Latin manuscript Ars Musica by the Spaniard Juan Gil de Zamora
  9. ^ Vasquez, Jose. "The violin (or viola da braccio) and the viola da gamba families: differences and similarities". Orpheon.org. Archived from the original on May 18, 2013. Retrieved July 18, 2013.


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