Western canon

Dante, Homer and Virgil in Raphael's Parnassus fresco (1511), key figures in the Western canon
Detail of Sappho from Raphael's Parnassus (1510–11), shown alongside other poets. In her left hand, she holds a scroll with her name written on it.
Picasso, Girl with a Mandolin (Fanny Tellier) (1910), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York

The Western canon is the body of high-culture literature, music, philosophy, and works of art that are highly valued in the West; works that have achieved the status of classics. However, not all these works originate in the Western world, and such works are also valued throughout the globe. It is "a certain Western intellectual tradition that goes from, say, Socrates to Wittgenstein in philosophy, and from Homer to James Joyce in literature".[1]

Recent discussions on it emphasize cultural diversity within the canon. The canons of music and visual arts have broadened to encompass overlooked periods, while newer media like cinema grapple with a precarious position. Criticism arises, with some viewing changes as prioritizing activism over aesthetic values, often associated with Marxist critical theory.[2] Another critique highlights a narrow interpretation of the West, dominated by British and American culture, prompting calls for a more diverse canon.[2]

  1. ^ Cite error: The named reference Searle was invoked but never defined (see the help page).
  2. ^ a b Wilczek, Piotr (2006). "Czy istnieje kanon literatury polskiej?". In Cudak, Romuald (ed.). Literatura polska w świecie (in Polish). Wydawnictwo Gnome. pp. 13–23. ISBN 978-83-87819-05-7.

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