Buddhas of Bamiyan

Buddhas of Bamiyan

UNESCO World Heritage Site
Larger 55-metre (180 ft) "Western Buddha" Smaller 38-metre (125 ft) "Eastern Buddha" Pictures of the two Buddhas before they were destroyed by the Taliban in March 2001. Carbon dating determined that the Western Buddha was built around 591–644 CE and that the Eastern Buddha was built around 544–595 CE.[1][2]
Location	Bamiyan, Afghanistan
Part of	Cultural Landscape and Archaeological Remains of the Bamyan Valley
Criteria	Cultural: i, ii, iii, iv, vi.
Reference	208-001
Inscription	2003 (27th Session)
Endangered	2003–present
Area	105 ha
Buffer zone	225.25 ha
Coordinates	34°49′55″N 67°49′36″E / 34.8320°N 67.8267°E / 34.8320; 67.8267
Location of the Buddhas of Bamiyan within Afghanistan

The Buddhas of Bamiyan (Pashto: د باميانو بودايي پژۍ, Dari: تندیس‌های بودا در بامیان) were two possibly 6th-century^[3] monumental Buddhist statues in the Bamiyan Valley of Afghanistan. Located 130 kilometres (81 mi) to the northwest of Kabul, at an elevation of 2,500 metres (8,200 ft), carbon dating of the structural components of the Buddhas has determined that the smaller 38 m (125 ft) "Eastern Buddha" was built around 570 CE, and the larger 55 m (180 ft) "Western Buddha" was built around 618 CE, which would date both to the time when the Hephthalites ruled the region.^[2][4][5] As a UNESCO World Heritage Site of historical Afghan Buddhism, it was a holy site for Buddhists on the Silk Road.^[6] However, in March 2001, both statues were destroyed by the Taliban following an order from their leader Mullah Muhammad Omar;^[7] the Taliban government of the Islamic Emirate had condemned the Bamiyan Buddhas as idols, invoking the Muslim concept of shirk.^[8][9] International and local opinion condemned the destruction of the Buddhas.^[10]

The statues represented a later evolution of the classic blended style of Greco-Buddhist art at Gandhara.^[11] The larger statue was named "Salsal" ("the light shines through the universe") and was referred as a male. The smaller statue is called "Shah Mama" ("Queen Mother") and is identified as a female figure.^[12][13] Technically, both were reliefs: at the rear, they each merged into the cliff wall. The main bodies were hewn directly from the sandstone cliffs, but details were modeled in mud mixed with straw, coated with stucco. This coating, the majority of which wore away long ago, was painted to enhance the expressions of the faces, hands, and folds of the robes; the larger one was painted carmine red, and the smaller one was painted multiple colours.^[14] The lower parts of the statues' arms were constructed from the same mud-straw mix, supported on wooden armatures. It is believed that the upper parts of their faces consisted of huge wooden masks.^[2]

Since the 2nd century CE, Bamiyan had been a Buddhist religious site on the Silk road under the Kushans, remaining so until the Islamic conquests of 770 CE, and finally coming under the Turkic Ghaznavid rule in 977 CE.^[1] In 1221, Genghis Khan, invaded the Bamiyan Valley, wiping out most of its population but leaving the Bamiyan Buddhas undamaged.^[15][16] Later in the 17th century, Mughal emperor Aurangzeb briefly ordered the use artillery to destroy the statues, causing some damage, though the Buddhas survived without any major harm.^[17][18][19]

The Buddhas had been surrounded by numerous caves and surfaces decorated with paintings.^[20] It is thought that these mostly dated from the 6th to 8th centuries CE and had come to an end with the Muslim conquests of Afghanistan.^[20] The smaller works of art are considered as an artistic synthesis of Buddhist art and Gupta art from ancient India, with influences from the Sasanian Empire and the Byzantine Empire, as well as the Tokhara Yabghus.^[20]