Chinese characters for transcribing Slavonic

Chinese characters
Chinese family of scripts Written Chinese Kanji Hanja Chữ Hán
Historical forms and styles Neolithic symbols in China Oracle bone Bronze Seal (Bird-worm Large Small) Clerical Cursive Semi-cursive Regular Flat brush Typefaces Fangsong Ming Sans-serif
Properties and classification Components Strokes (order) Radical
Collation and standards Character-form standards Jiu zixing Xin zixing Kangxi Dictionary forms (1716) General Standard Chinese Characters (mainland China, 2013) Graphemes of Commonly-used Chinese characters (Hong Kong, 2007) Standard Form of National Characters (Taiwan, 1982) Grapheme-usage standards General Standard Characters (PRC, 2013) Jōyō kanji (Japan, 2010) Other standards Standardized Forms of Words with Variant Forms (PRC, 2002) Nan Min Recommended Characters (Taiwan, 2009) Previous standards Commonly-used Characters (PRC, 1988) Tōyō kanji (Japan, 1946)
Reforms China Clerical reforms Traditional characters Simplified characters (first round second round) Debate Japan Kyūjitai Shinjitai Ryakuji Korea Yakja Singapore Table of Simplified Characters
Homographs and readings Literary and colloquial readings
Variants Graphemic variants Zetian characters
Derived systems Slavonic transcription Nüshu Kana ( Man'yōgana Hiragana Katakana ) Jurchen script Khitan ( Large Small ) Idu script Bopomofo Sawndip Chữ Nôm
Transliteration of Chinese
v t e

Chinese characters for transcribing Slavonic were Chinese characters created for the purpose of transcribing Slavonic sounds into Chinese. The Russian Orthodox Church's mission in China had an interest in translating liturgical texts into Chinese and Japanese, and sought to devise new characters for this purpose.^[1]

Many of these new characters were proposed by Archimandrite Gurias, the 14th head of the Russian mission from 1858–1864. They would have transcribed certain syllables normally not valid in standard Chinese phonology, such as vin, gi, or reia. These characters were later used for transcription into Japanese as well, with the character pronunciations changed to account for Japanese phonology. However, in both China and Japan, leaders of the Russian missions eventually decided to translate liturgical texts using standard vernacular Chinese and katakana, respectively.^[1]

The majority of the new characters were composed through combining two existing characters side-by-side as radicals, which would also indicate their pronunciation. Unlike the typical rule of pronouncing the character based on the side radical, used in pronouncing phono-semantic compounds, the radicals are presented in initial-rime pairs. In a method similar to Fanqie, the right-hand character would indicate the syllable initial, while the left-hand character would be used as an indicator of the final. This approach to character formation was intended for vertical reading, where the flow of the text is from top-to-bottom, and ordered from right-to-left. Two exceptions were vertically-arranged characters used as abbreviations of "Christ" and "Jesus".^[1]

Twenty Slavonic transcription characters were included in Unicode Standard version 10.0.^[2]