![]() | This article may contain an excessive amount of intricate detail that may interest only a particular audience.(September 2019) |
Formerly | |
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Company type |
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Industry | |
Predecessor | Saban Entertainment Inc. |
Founded |
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Founders | |
Defunct | |
Fate | Acquired by The Walt Disney Company, then went dormant |
Successors | Disney General Entertainment Content Hasbro Entertainment (Power Rangers franchise) Toei Animation Inc. (Digimon) BMG Rights Management (music library) Saban Capital Group (branding) |
Headquarters |
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Number of locations | 2 |
Area served | Worldwide |
Products | |
Owner |
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Parent |
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Divisions | Libra Pictures (1994–2001) |
Subsidiaries |
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BVS Entertainment, Inc., previously known as Saban Productions, Saban Entertainment and Saban International, is a dormant subsidiary of the Walt Disney Company. Founded on April 24, 1980, as a music production company by Haim Saban[1] and Shuki Levy, it slowly transitioned to or gravitated towards television production and distribution, where it is most known for producing and distributing children's programs for Fox Family/ABC Family and defunct channels Fox Kids and Jetix.
The company imported, dubbed and adapted various media formats from Japan such as Maple Town, Noozles, Funky Fables, Samurai Pizza Cats, and the first three Digimon series to North American and international markets over syndication, including both animation and live-action shows. Saban also adapted various tokusatsu shows from Toei Company, including Power Rangers (based on the Super Sentai series), Big Bad Beetleborgs (based on Juukou B-Fighter), VR Troopers (featuring elements of various Metal Hero series), and Masked Rider (featuring elements of Kamen Rider Black RX).
Saban has also distributed and provided music for television programs produced by outside companies such as The Super Mario Bros. Super Show!, Inspector Gadget and the first two dubbed seasons of Dragon Ball Z.
In the 1990s, Saban also operated the Libra Pictures label which produced programs targeted towards older audiences than Saban's usual kid-friendly output,[4] as well as a syndicated subsidiary Saban Domestic Distribution, whose primarily purpose was to distribute shows for first-run and off-net syndication.[5]
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