Puerto Rico was settled by a succession of peoples beginning 2,000 to 4,000 years ago; these included the Ortoiroid, Saladoid, and Taíno. It was then colonized by Spain following the arrival of Christopher Columbus in 1493. Puerto Rico was contested by other European powers, but remained a Spanish possession for the next four centuries. An influx of African slaves and settlers primarily from the Canary Islands and Andalusia vastly changed the cultural and demographic landscape of the island. Within the Spanish Empire, Puerto Rico played a secondary but strategic role compared to wealthier colonies like Peru and New Spain. By the late 19th century, a distinct Puerto Rican identity began to emerge, centered around a fusion of indigenous, African, and European elements. In 1898, following the Spanish–American War, Puerto Rico was acquired by the United States.
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"Quiero Bailar" ('I Want To Dance') is a song by Puerto Ricanreggaetónrecording artistIvy Queen, from the platinum edition of her third studio album, Diva (2003). It was composed by Queen alongside her then-husband Gran Omar, produced by Iván Joy and released as the lead single from the album in 2004. Lyrically, "the song talks about a guy expecting sex after a dance like it was a bad thing." Addressing the topic of female autonomy of the body, the song has become recognized as a female empowerment anthem.
The song became the first Spanish-language song to reach the top position on Miami's WPOW Rhythmic Top 40, the first Spanish song to do so, while reaching the Top 10 of the Billboard Latin Rhythm Airplay chart. The song has become known as the first female reggaeton feminist anthem among songs that lyrically degraded women. An accompanying music video was filmed for the song which featured cameos from her ex-husband Omar Navarro, known artistically as Gran Omar. (Full article...)
Born in New Jersey, Torres grew up in Puerto Rico before returning to the United States to attend Miami-Dade Community College. He was a track star at Miami-Dade and did not begin playing baseball until later. In 1998, he was drafted by the Detroit Tigers in the fourth round of the 1998 Major League Baseball draft. Torres played in their minor leagues until 2002, when he made his major league debut. In 2003, he got a chance to be the everyday center fielder for the Tigers, but after 23 games they chose to replace him. He played only three games for them in 2004 before he was outrighted to the minors and released upon request. In 2005, Torres resurfaced with the Texas Rangers but only appeared in eight games. He spent the next three years in the minor leagues. (Full article...)
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POW/MIA flag The United States Department of Defense has estimated that approximately 61,000 Puerto Ricans served in the military during the Korean War, most of them volunteers. A total of 122 Puerto Ricansoldiers were among the 8,200 people listed as missing in action (MIA). According to the Defense POW/MIA Accounting Agency, there are 167 who are unaccounted for. This list does not include non-Puerto Ricans who served in the 65th Infantry, nor those who were "POW" (Prisoners of War) or "KIA" (Killed in Action). Nor does the total of this list include people of Puerto Rican descent who were born in the mainland of the United States.
Cornelius Packard "Dusty" Rhoads (June 9, 1898 – August 13, 1959) was an American pathologist, oncologist, and hospital administrator who was involved in a racist scandal and subsequent whitewashing in the 1930s. Beginning in 1940, he served as director of Memorial Hospital for Cancer Research in New York, from 1945 was the first director of Sloan-Kettering Institute, and the first director of the combined Memorial Sloan–Kettering Cancer Center. For his contributions to cancer research, Rhoads was featured on the cover of the June 27, 1949 issue of Time magazine under the title "Cancer Fighter".
Suavemente (English: Smoothly) is the debut studio album by American merenguero recording artist Elvis Crespo. Released by Sony Music Latin on April 14, 1998, the album established Crespo as a leading artist in the Latin music market. He collaborated with several songwriters and record producers to create an overall tropical music-flavored recording.
With romantic ballads and uptempo songs, Suavemente received favorable reviews from music critics who found the recording to contain energetic and catchy tracks. The album was commercially successful; it became the first merengue recording to peak at number one on the United States BillboardTop Latin Albums chart. Suavemente peaked at number 106 on the U.S. Billboard 200 chart. Two of its singles, "Suavemente" and "Tu Sonrisa", topped the U.S. BillboardHot Latin Songs chart; Crespo was recognized as becoming the first artist to have placed two merengue singles at number one. Suavemente was Crespo's commercial breakthrough, introducing him to the popular music market with the Spanglish remix of its title track. (Full article...)
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Afro–Puerto Ricans are Puerto Ricans who are of African descent. The history of Puerto Ricans of African descent begins with free African men, known as libertos, who accompanied the Spanish Conquistadors in the invasion of the island. The Spaniards enslaved the Taínos (the native inhabitants of the island), many of whom died as a result of new infectious diseases and the Spaniards' oppressive colonization efforts. Spain's royal government needed laborers and began to rely on African slavery to staff their mining and fort-building operations. The Crown authorized importing enslaved West Africans. As a result, the majority of the African peoples who entered Puerto Rico were the result of the Atlantic slave trade, and came from many different cultures and peoples of the African continent.
When the gold mines in Puerto Rico were declared depleted, the Spanish Crown no longer considered the island to be a high colonial priority. Its chief ports served primarily as a garrison to support naval vessels. The Spaniards encouraged free people of color from British and French possessions in the Caribbean to emigrate to Puerto Rico, to provide a population base to support the Puerto Rican garrison. The Spanish decree of 1789 allowed slaves to earn or buy their freedom; however, this did little to help their situation. The expansion of sugar cane plantations drove up demand for labor and the slave population increased dramatically as new slaves were imported. Throughout the years, there were many slave revolts in the island. Slaves who were promised their freedom joined the 1868 uprising against Spanish colonial rule in what is known as the Grito de Lares. On March 22, 1873, slavery was abolished in Puerto Rico. (Full article...)
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The 1985 Atlantic hurricane season had six United States landfalling hurricanes, tied with 1886 and 2020 for the highest number on record. The season officially began on June 1 and lasted until November 30. It was an average season, with 11 named storms developing. This was partially attributed to a La Niña – a meteorological phenomenon that produces favorable conditions across the Atlantic basin, such as lower wind shear and higher sea surface temperatures. The first storm, Ana, developed on July 15 near Bermuda and caused minor effects in Canada while transitioning into an extratropical cyclone. Three other tropical cyclones – Claudette, Henri, and Isabel – did not significantly affect land. Claudette developed offshore of the Southeastern United States and brushed Bermuda and the Azores. Henri and Isabel were dissipating as they approached land. However, the precursor of the latter caused a severe flood in Puerto Rico that killed 180 people. Additionally, Tropical Storm Fabian and three tropical depressions did not have any known impact on land.
Although several storms caused minimal effects, several tropical cyclones also left extensive impact. Hurricane Gloria, the strongest storm of the season, resulted in 14 fatalities and about $900 million (1985 USD) in damage in North Carolina, Virginia, the Mid-Atlantic, and New England. Hurricane Elena threatened the central Gulf Coast of the United States, then abruptly re-curved toward Florida. Unexpectedly, Elena doubled-back and struck Mississippi, resulting in two mass evacuations. The storm caused $1.3 billion in losses, with most of the damage in Louisiana and Mississippi. Similarly, Hurricane Juan caused $1.5 billion in damage due to its erratic track offshore and across Louisiana. Three other tropical cyclones – Hurricanes Bob, Danny, and Kate – caused moderate to extensive damage in Cuba and the United States. Overall, the tropical cyclones of this season collectively caused over $4.52 billion in damage and 60 deaths. (Full article...)
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Surface weather map of Hazel near landfall in North Carolina on October 15
In Haiti, Hazel destroyed 40 percent of the coffee trees and 50 percent of the cacao crop, which affected the economy for several years. The hurricane made landfall near Calabash, North Carolina, and destroyed most waterfront dwellings. It then traveled north along the Atlantic coast. Hazel affected Virginia; Washington, D.C.; West Virginia; Maryland; Delaware; New Jersey; Pennsylvania; and New York. It brought gusts near 160 km/h (100 mph) and caused $281 million (1954 USD) in damage. When it was over Pennsylvania, Hazel consolidated with a cold front and turned northwest towards Canada. When it hit Ontario as an extratropical storm, rivers and streams in and around Toronto overflowed their banks, which caused severe flooding. As a result, many residential areas in the local floodplains, such as the Raymore Drive area, were subsequently converted to parkland. In Canada alone, over C$135 million (2023: C$1.5 billion) of damage was incurred. (Full article...)
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"Acércate" (English: "Come Closer") is a song recorded by Puerto Rican reggaetón recording artist Ivy Queen and duo Wisin & Yandel for Queen's seventh studio album Drama Queen (2010). It was composed by Queen and Marcos Masis alongside the duo, while being produced by Luny Tunes and Tainy. Originally entitled "No Te Equivoques", the song was leaked onto the Internet prior to the album's release, which prompted Ivy Queen and Wisin & Yandel to re-record the song.
While failing to chart on main Latin songs charts in Billboard magazine, it did manage to debut and peak at number sixteen on the Billboard Latin Rhythm Digital Songs chart, charting simultaneously with the lead single off the album "La Vida Es Así" which obtained the number two position. The song brings together the first studio album released by Ivy Queen in three years and first for Machete Music, after being with Univision Records since 2005. (Full article...)
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Eloise in the Gulf of Mexico before striking Florida
Hurricane Eloise was the most destructive tropical cyclone of the 1975 Atlantic hurricane season. The fifth tropical storm, fourth hurricane, and second major hurricane of the season, Eloise formed as a tropical depression on September 13 to the east of the Virgin Islands. The depression tracked westward and intensified into a tropical storm while passing to the north of Puerto Rico. Eloise briefly attained hurricane intensity soon thereafter, but weakened back to a tropical storm upon making landfall over Hispaniola. A weak and disorganized cyclone, Eloise emerged into open waters of the northern Caribbean Sea; upon striking the northern Yucatan Peninsula, it turned north and began to re-intensify. In the Gulf of Mexico, the cyclone quickly matured and became a Category 3 hurricane on September 23. Eloise made landfall along the Florida Panhandle west of Panama City before moving inland across Alabama and dissipating on September 24.
The storm produced torrential rainfall throughout the islands of Puerto Rico and Hispaniola, causing extensive flooding that led to severe damage and more than 40 deaths. Thousands of people in these areas became homeless as flood waters submerged numerous communities. As Eloise progressed westward, it affected Cuba to a lesser extent. In advance of the storm, about 100,000 residents evacuated from the Gulf Coast region. Upon making landfall in Florida, Eloise generated wind gusts of 155 miles per hour (249 km/h), which demolished hundreds of buildings in the area. The storm's severe winds, waves, and storm surge left numerous beaches, piers, and other coastal structures heavily impaired. (Full article...)
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Diva is the third studio album by Puerto Ricanreggaetón recording artist Ivy Queen. It was released on August 23, 2003 and independently distributed by Real Music Group after being dropped from Sony Discos. The recording followed her two previous studio albums which were commercially unsuccessful and a hiatus from her musical career beginning in 1999. It featured collaborations with Latin hip hop artists including Mexicano 777, Bimbo and K-7 while the album's production was handled by a variety of musical producers; Luny Tunes, DJ Nelson, Noriega, and Iván Joy were enlisted, while DJ Adam produced a majority of the tracks. Lyrically, the album explored female empowerment, infidelity, heartbreak and love with "a veritable compendium of her artistic passion, femininity, and culture". The musical styles of the recording alternate between reggaetón and hip-hop while Queen experiments with R&B, dancehall, and pop balladry.
Diva spawned a total of seven singles: "Quiero Bailar", "Quiero Saber", "Papi Te Quiero", "Guillaera", "Tuya Soy", "Tu No Puedes", and "Súbelo", which were released over the course of three years. "Quiero Bailar" became a commercial success and her first big hit in the United States and Puerto Rico. (Full article...)
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Captain Humbert Roque Versace, Medal of Honor recipient
Residente o Visitante (Resident or Visitor) is the second studio album by Puerto Ricanurban/hip hop band Calle 13, released on April 24, 2007, by Sony BMG. Recorded in various countries while on tour in promotion of the duo's debut album Calle 13, Residente o Visitante marked an evolution in the band's musical and lyrical style. While writing the album, the duo took a trip to South America to explore areas populated by Latin America's indigenous and African-descended minorities, a journey that greatly influenced the music on Residente o Visitante. The album features six guest artists and delves into genres such as tango, bossa nova, cumbia, and electronica.
The Cerro Maravilla murders, also known as the Cerro Maravilla massacre, occurred on July 25, 1978, at Cerro Maravilla, a mountain in Ponce, Puerto Rico, wherein two young Puerto Rican pro-independence activists, Carlos Enrique Soto-Arriví (1959–1978) and Arnaldo Darío Rosado-Torres (1953–1978), were murdered in a Puerto Rico Police ambush. The event sparked a series of political controversies where, in the end, the police officers were found guilty of murder and several high-ranking local government officials were accused of planning and/or covering up the incident.
Originally declared a police intervention against terrorists, the local media quickly questioned the officers' testimonies as well as the only surviving witness for inconsistencies. Carlos Romero Barceló (PNP), then Governor of Puerto Rico, ordered the local Justice Department to launch various investigations, and asked the Federal Bureau of Investigation (FBI) and the US Justice Department to aid in the investigations, which concluded that there was no wrongdoing on the officers' part. However, after the main local opposing political party (PPD) launched its own inquiries, new evidence and witness testimonies surfaced which uncovered gross negligence and murder on the officers' part, as well as the possibility of a local and federal cover-up. Trials were held and a total of 10 officers were convicted of various crimes. (Full article...)
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"Qué Rico Fuera" (transl. "How Sweet It Would Be") is a song recorded by Puerto Rican singer Ricky Martin and Chilean-American singer Paloma Mami. The song was written by Martin, Mami, Kevyn Mauricio Cruz, Juan Camilo Vargas, and Wissem Larfaoui, while the production was handled by Vargas, Cruz, and Larfaoui. It was released for digital download and streaming by Sony Music Latin on June 10, 2021. A primarily Spanish language urban pop, Afro-Latin, and Latin pop song, its lyrics are sensual and flirty.
"Qué Rico Fuera" received widely positive reviews from music critics, who complimented its fusion of sounds. It was nominated for International Collaboration of the Year at the 2021 Premios MUSA. The song was commercially successful in Latin America, reaching number one in Chile, Costa Rica, Puerto Rico, and Uruguay, as well as the top 10 in Argentina and El Salvador, and Billboard's Latin Pop Airplay in the United States. It also became Mami's first entry on the BillboardLatin Airplay, Latin Pop Airplay, Latin Digital Song Sales, Argentina Hot 100, and Mexico Airplay charts. (Full article...)
In the 1930s, intimidation, repression and persecution of Party members by the government, then headed by a U.S. president-appointed governor, led to the assassination of two government officials, the attempted assassination of a federal judge in Puerto Rico, and the Rio Piedras and Ponce massacres. Under the leadership of Albizu Campos, the party abandoned the electoral process in favor of direct armed conflict as means to gain independence from the United States. (Full article...)
Drafted by the Yankees in 1990, Posada was originally an infielder before moving to catcher during his minor league career. He debuted in the major leagues in 1995, but it was not until 1998 that he found regular playing time. A solid-hitting catcher, Posada established himself as a mainstay in the Yankees lineup and as one of the "Core Four" players who contributed to the Yankees' winning seasons. In 2003, he finished third in voting for the American League (AL) Most Valuable Player Award and became only the second Yankees catcher after Yogi Berra to hit 30 home runs in a season. Posada added one of his best seasons in 2007 at age 37 when he batted .338. Following a stint as designated hitter in 2011, he retired. (Full article...)
... that the zip code 00601 is the lowest assigned to any geographic place in the United States or its territories and belongs to Adjuntas, Puerto Rico?[1]
... that Puerto Rico's Tren Urbano is the Caribbean's first rapid transit system
... that the Plaza Las Américas mall in San Juan is the most profitable mall per square foot in the world?[2]
... that the world's first known Walk-A-Thon took place in Puerto Rico in 1953, and that it was organized by Puerto Rican comedian Ramón "Diplo" Rivero? "Diplo" walked 80 miles from the capital city of San Juan, crossing Puerto Rico up and down the treacherous mountain roads of Cayey, known as "La Piquiña", to Ponce, on the other side of the island, to raise money for the Liga Puertorriqueña Contra el Cáncer (the Puerto Rican League Against Cancer).[3]
... that the Tibes Indigenous Ceremonial Center is the oldest Antillean Indian ceremonial and sports complex yet uncovered in Puerto Rico? Within its boundaries is also the largest indigenous cemetery yet discovered – consisting of 186 human skeletons, most from the Igneri and the rest from the pre-Taino cultures.[4] Based on the orientation of the ceremonial plazas, this is also believed to be the oldest astronomical observatory in the Antilles.[5]
... that the Bomba is a music, rhythm and dance that was brought by West African slaves to the island of Puerto Rico.[6] and that the Plena was brought to Ponce by blacks who immigrated north from the English-speaking islands south of Puerto Rico?
... that the word Piragua (pi·ra·güa) in most Spanish-speaking countries means pirogue, a small, flat-bottomed boat?[8] However, that in Puerto Rico the word piragua refers to a frozen treat made of shaved ice and covered with fruit flavored syrup? The piragua is pointy and shaped like a pyramid. The word piragua is derived from the combination of the Spanish words "pirámide" (pyramid) and "agua" (water).[9] In Latin America, frozen treats similar to the piragua are known by many different names.[10]
... that the holder of the current Guinness Record for the World's Smallest Jet, the Bede BD-5J Microjet is a native of Puerto Rico?[11]
Image 2Los Reyes Magos painted by Hipolito Marte Martinez, "In Puerto Rico, Melchior is always represented with dark skin" (from Culture of Puerto Rico)
Image 9The original Lares revolutionary flag. The first "Puerto Rican Flag" used in the unsuccessful Grito de Lares (Lares Uprising). (from History of Puerto Rico)
Image 10"El desastre es la colonia" (the disaster is the colony), words seen on light meter six months after Hurricane Maria (from Culture of Puerto Rico)
Image 18US and Puerto Rico flags on a building in Puerto Rico (from Culture of Puerto Rico)
Image 19The 45-star flag, used by the United States during the invasion of Puerto Rico, was also the official flag of Puerto Rico from 1899 to 1908. (from History of Puerto Rico)
Image 20'La escuelo del Maestro Cordero' by Puerto Rican artist Francisco Oller. (from Culture of Puerto Rico)
Image 21Sugar cane workers resting at the noon hour, Rio Piedras. Photograph by Jack Delano, a photographer for the Farm Security Administration. Ca. 1941. (from History of Puerto Rico)
Image 22Royal Cédula of Graces, 1815, which granted legal entry of some foreigners to Puerto Rico. (from History of Puerto Rico)
Image 23Raising the US Flag over San Juan, October 18, 1898. (from History of Puerto Rico)
Image 24Flag flown by Fidel Vélez and his men during the "Intentona de Yauco" revolt. (from History of Puerto Rico)
Image 25An 1899, caricature by Louis Dalrymple (1866–1905), showing Uncle Sam harshly lecturing four black children labelled Philippines, Hawaii, Puerto Rico and Cuba (from History of Puerto Rico)
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